GORDON (rises). The Rhinegrave's still far off. Give but the orders, this, this Is able to perform. And if indeed WALLENSTEIN (contemplates him with surprise, remains silent awhile, betraying strong emotion). SCENE IV. GORDON, BUTLER (at first behind the Scenes). Here stand in silence till I give the signal. "Tis he, he has already brought the murderers. BUTLER. The lights are out. All lies in profound sleep. GORDON. What shall I do? Shall I attempt to save him? BUTLER (appears, but scarcely on the stage). A light gleams hither from the corridor. GORDON. But then I break my oath to the Emperor; BUTLER (stepping forward). Hark! Who speaks there? GORDON. "Tis better, I resign it to the hands BUTLER (advances). Butler! "Tis Gordon. [The GROOM OF THE CHAMBER, who had entered I should know that voice. GORDON. BUTLER. What do you want here! when the Duke dismiss'd you ! GORDON. vances in extreme agitation, and throws him Your hand bound up and in a scarf? And thou too! But I know why thou dost wish Of this last day or two was great. May't please you! Refuses your arm. See 'tis wounded! Take care that they awake me not too early. BUTLER. [Exit WALLENSTEIN, the GROOM OF THE CHAMBER There is no need of my arm. lighting him. SENI follows, GORDON remains GORDON. on the darkened stage, following the DUKE The most guilty end of the gallery: then by his gestures the old stands leaning against a pillar. with his eye, till he disappears at the farther Have perish'd, and enough is given to justice. man expresses the depth of his anguish, and GORDON. His heart still cleaves To earthly things: he's not prepared to step BUTLER (going). God's merciful! GORDON (holds him). SCENE VI. COUNTESS TERTSKY (with a light). Her bed-chamber is empty; she herself Grant him but this night's respite. May ruin all. GORDON (holds him still). BUTLER. Unhold me! What Can that short respite profit him? GORDON. O-Time Works miracles. In one hour many thousands Only one hour! Your heart may change its purpose, Home from the banquet! Hark! I wonder whether SCENE VII. COUNTESS, GORDON. GORDON (rushes in out of breath). His heart may change its purpose-some new tidings 'Tis not the Swedes-Ye must proceed no further May come; some fortunate event, decisive, May fall from Heaven and rescue him. O what May not one hour achieve! Does the world hang. For God's sake! to the Duke. [Calling loudly. Butler! Butler! God! Why, he is at the castle with my husband. COUNTESS. [BUTLER comes from the Gallery. GORDON. "T was a mistake-'Tis not the Swedes it is Too late. BUTLER. He comes [GORDON dashes himself against the wall. GORDON. O God of mercy! COUNTESS. What too late? Who will be here himself? Octavio [She rushes to the Gallery. SCENE VIII. (Servants run across the Stage full of terror. The whole Scene must be spoken entirely without pauses). SENI (from the Gallery). Voices deadened by the distance Clash of profound silence. O bloody frightful deed! FIRST SERVANT. Fly! fly! they murder us all! Heaven forbid! SECOND SERVANT (carrying silver plate). Passages are block'd up. That way! the lower VOICE (from behind the Scene). Make room for the Lieutenant-General! Rail you against me? What is my offence? [At these words the COUNTESS starts from her stupor, Astonish'd that blood is come up. I always VOICE (from behind the Scene). Keep back the people! Guard the door! SCENE IX. To these enters OCTAVIO PICCOLOMINI with all his Train. At the same time DEVEREUX and MACDONALD enter from the Corridor with the Halberdiers. -WALLENSTEIN'S dead body is carried over the back part of the Stage, wrapped in a piece of crimson tapestry. OCTAVIO (entering abruptly). It must not be! It is not possible! I'll not believe it. Say, No! [GORDON, without answering, points with his hand to the Body of WALLENSTEIN as it is carried over the back of the Stage. OCTAVIO looks that way, and stands overpowered with horror. Knew what I did, and therefore no result SCENE X. [Exit BUTLER To these enter the COUNTESS TERTSKY, pale and dis ordered. Her utterance is slow and feeble, and unimpassioned. OCTAVIO (meeting her). O Countess Tertsky! These are the results COUNTESS. They are the fruits Of your contrivances. The duke is dead, OCTAVIO (with a deep anguish). O Countess! my house too is desolate. COUNTESS. Who next is to be murder'd? Who is next The evil destiny surprised my brother Too suddenly: he could not think on them. OCTAVIO. Speak not of vengeance! Speak not of maltreatment! Hath heavily been expiated-nothing COUNTESS (with her eye raised to heaven) He might sometime repose in death! O let him This sure may well be granted us-one sepulchre [He reads the address, and delivers the letter to OCTAVIO with a look of reproach, and with an emphasis on the word. To the Prince Piccolomini. [OCTAVIO, with his whole frame expressive of sud. den anguish, raises his eyes to heaven. (The Curtain drops.) The Fall of Robespierre; AN HISTORIC DRAMA. DEDICATION. TO H. MARTIN, ESQ. OF JESUS COLLEGE, CAMBRIDGE. ACCEPT, as a small testimony of my grateful attachment, the following Dramatic Poem, in which I have endeavored to detail, in an interesting form, the fall of a man, whose great bad actions have cast a disastrous lustre on his name. In the execution of the work, as intricacy of plot could not have been attempted without a gross violation of recent facts, it has been my sole aim to imitate the impassioned and highly figurative language of the French Orators, and to develop the characters of the chief actors on a vast stage of horrors. Yours fraternally, S. T. COLERIDGE. JESUS COLLEGE, September 22, 1794. THE FALL OF ROBESPIERRE. ACT I. SCENE, The Tuilleries. BARRERE The tempest gathers-be it mine to seek [Exit. |