Tragic Drama in Aeschylus, Sophocles, and Shakespeare: An EssayRussell & Russell, 1965 - 280 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 47.
Pàgina 5
... stage . They required that the story should be presented in action , not merely represented to the mind . Hence arose a superficial contrast which detracts something from the perfection and due proportion even of Shakespeare's art . The ...
... stage . They required that the story should be presented in action , not merely represented to the mind . Hence arose a superficial contrast which detracts something from the perfection and due proportion even of Shakespeare's art . The ...
Pàgina 121
... stage . Hamlet has caught sight of her , and for the moment his old passion revives . He apostrophises her in an aside which she does not overhear . To his amazement after what has passed ( II . i . 75 ff . ) she comes forward and ...
... stage . Hamlet has caught sight of her , and for the moment his old passion revives . He apostrophises her in an aside which she does not overhear . To his amazement after what has passed ( II . i . 75 ff . ) she comes forward and ...
Pàgina 249
... stage , the Fool's part ( some bits of manifest ' gag ' being discounted ) is confessedly a triumph of skill ; but the Fool , like Ismene in the Antigone ' of Sophocles , disappears when the play has culminated , so that the chief actor ...
... stage , the Fool's part ( some bits of manifest ' gag ' being discounted ) is confessedly a triumph of skill ; but the Fool , like Ismene in the Antigone ' of Sophocles , disappears when the play has culminated , so that the chief actor ...
Altres edicions - Mostra-ho tot
Tragic Drama in Aeschylus, Sophocles, and Shakespeare: An Essay Lewis Campbell Visualització completa - 1904 |
Tragic Drama in Aeschylus, Sophocles, and Shakespeare: An Essay Lewis Campbell Visualització completa - 1904 |
Frases i termes més freqüents
action actor Aeschylus Agamemnon Ajax ancient Antigone Antony and Cleopatra appears Athenian audience Banquo Brutus Caesar Caliban catastrophe CHAPTER character Chorus climax Coleridge comedy conception contrast Creon crisis Cymbeline death Deianira Disdemona divine Edgar effect element Elizabethan emotion English evil fable feeling follows fourth act genius Gloucester Greek Hamlet heart Heaven honour Horatio horror hovel human Iago ideal imagination impression Julius Caesar Kent King Lear Laertes Lear's less Macbeth madness meaning Merchant of Venice mind Moor moral motive murder nature noble observed Oedipus once Ophelia Othello passages passion pathos person Philoctetes pity play plot poet poet's poetic present Prince realise rendered Richard Richard III Romeo and Juliet ruin says scene sequel Shake Shakespeare Shakespearian Shylock situation Sophocles soul spectator speech spirit stage Tecmessa Tempest things thought tion tragedy tragic drama tragic hero trilogy triumph true truth whole Winter's Tale words
Referències a aquest llibre
Western Drama Through the Ages: A Student Reference Guide, Volum 2 Kimball King Visualització de fragments - 2007 |