Tragic Drama in Aeschylus, Sophocles, and Shakespeare: An EssayRussell & Russell, 1965 - 280 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 26.
Pàgina 100
... language , ' and the language is ' embellished , ' investing pity with sublimity and horror with beauty . Every word , every single intonation as originally conceived by the poet must pass immediately from the heart of the performer to ...
... language , ' and the language is ' embellished , ' investing pity with sublimity and horror with beauty . Every word , every single intonation as originally conceived by the poet must pass immediately from the heart of the performer to ...
Pàgina 104
... language of dramatic poetry is necessarily ( 1 ) idiomatic , ( 2 ) condensed , ( 3 ) helped out by action . ( 1 ) The dramatic poet , in virtue of his function , stands nearer to the living language of men than any other literary artist ...
... language of dramatic poetry is necessarily ( 1 ) idiomatic , ( 2 ) condensed , ( 3 ) helped out by action . ( 1 ) The dramatic poet , in virtue of his function , stands nearer to the living language of men than any other literary artist ...
Pàgina 111
... language of The Tempest , ' e.g. Act I. sc . ii . , will find it bristling with anacolutha ; yet these are hardly felt in a cursory perusal , except perhaps lines 99-102 , ' Like one , Who having , into truth , by telling of it , Made ...
... language of The Tempest , ' e.g. Act I. sc . ii . , will find it bristling with anacolutha ; yet these are hardly felt in a cursory perusal , except perhaps lines 99-102 , ' Like one , Who having , into truth , by telling of it , Made ...
Altres edicions - Mostra-ho tot
Tragic Drama in Aeschylus, Sophocles, and Shakespeare: An Essay Lewis Campbell Visualització completa - 1904 |
Tragic Drama in Aeschylus, Sophocles, and Shakespeare: An Essay Lewis Campbell Visualització completa - 1904 |
Frases i termes més freqüents
action actor Aeschylus Agamemnon Ajax ancient Antigone Antony and Cleopatra appears Athenian audience Banquo Brutus Caesar Caliban catastrophe CHAPTER character Chorus climax Coleridge comedy conception contrast Creon crisis Cymbeline death Deianira Disdemona divine Edgar effect element Elizabethan emotion English evil fable feeling follows fourth act genius Gloucester Greek Hamlet heart Heaven honour Horatio horror hovel human Iago ideal imagination impression Julius Caesar Kent King Lear Laertes Lear's less Macbeth madness meaning Merchant of Venice mind Moor moral motive murder nature noble observed Oedipus once Ophelia Othello passages passion pathos person Philoctetes pity play plot poet poet's poetic present Prince realise rendered Richard Richard III Romeo and Juliet ruin says scene sequel Shake Shakespeare Shakespearian Shylock situation Sophocles soul spectator speech spirit stage Tecmessa Tempest things thought tion tragedy tragic drama tragic hero trilogy triumph true truth whole Winter's Tale words
Referències a aquest llibre
Western Drama Through the Ages: A Student Reference Guide, Volum 2 Kimball King Visualització de fragments - 2007 |