Tragic Drama in Aeschylus, Sophocles, and Shakespeare: An EssayRussell & Russell, 1965 - 280 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 31.
Pàgina 89
... Othello . Consider the position of the spectator at three cardinal points in the latter portion of the play : ( 1 ) Act III . sc . iii . lines 446-448- ' All my fond love thus do I blow to Heaven . ' Tis gone . Arise , black vengeance ...
... Othello . Consider the position of the spectator at three cardinal points in the latter portion of the play : ( 1 ) Act III . sc . iii . lines 446-448- ' All my fond love thus do I blow to Heaven . ' Tis gone . Arise , black vengeance ...
Pàgina 237
... Othello is the Moor of Venice : that is given amongst the data of the fable . Shakespeare takes advantage of it to make possible what in any case might seem an improbable course of events . Othello has done great service for the State ...
... Othello is the Moor of Venice : that is given amongst the data of the fable . Shakespeare takes advantage of it to make possible what in any case might seem an improbable course of events . Othello has done great service for the State ...
Pàgina 238
... Othello did . We , the audience , know that Iago is a villain from the beginning , but in considering the essence of the Shakespearian Othello we must perseveringly place ourselves in his situation , and under his circum- stances . Othello ...
... Othello did . We , the audience , know that Iago is a villain from the beginning , but in considering the essence of the Shakespearian Othello we must perseveringly place ourselves in his situation , and under his circum- stances . Othello ...
Altres edicions - Mostra-ho tot
Tragic Drama in Aeschylus, Sophocles, and Shakespeare: An Essay Lewis Campbell Visualització completa - 1904 |
Tragic Drama in Aeschylus, Sophocles, and Shakespeare: An Essay Lewis Campbell Visualització completa - 1904 |
Frases i termes més freqüents
action actor Aeschylus Agamemnon Ajax ancient Antigone Antony and Cleopatra appears Athenian audience Banquo Brutus Caesar Caliban catastrophe CHAPTER character Chorus climax Coleridge comedy conception contrast Creon crisis Cymbeline death Deianira Disdemona divine Edgar effect element Elizabethan emotion English evil fable feeling follows fourth act genius Gloucester Greek Hamlet heart Heaven honour Horatio horror hovel human Iago ideal imagination impression Julius Caesar Kent King Lear Laertes Lear's less Macbeth madness meaning Merchant of Venice mind Moor moral motive murder nature noble observed Oedipus once Ophelia Othello passages passion pathos person Philoctetes pity play plot poet poet's poetic present Prince realise rendered Richard Richard III Romeo and Juliet ruin says scene sequel Shake Shakespeare Shakespearian Shylock situation Sophocles soul spectator speech spirit stage Tecmessa Tempest things thought tion tragedy tragic drama tragic hero trilogy triumph true truth whole Winter's Tale words
Referències a aquest llibre
Western Drama Through the Ages: A Student Reference Guide, Volum 2 Kimball King Visualització de fragments - 2007 |