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"SECUNDUM MISERICORDIAM SUAM SALVOS NOS FECIT PER LAVACRUM REGENERATIONIS ET RENOVATIONIS SPIRITUS SANCTI." The cover is flat, with an ornamental scroll in iron diverging at right angles from a Norman cross in the centre. The Queen's arms executed in stained glass are placed in the west window, and underneath is written on a scroll, "Fear God, Honour the Queen."

It may be remarked, that in this arrangement of an old custom of the Church, a highly decorative ornament has been substituted for that which is often a sad disfigurement to our churches, at an expense, too, so moderate as not to exceed the usual charge for an emblazonment executed by the village painter.

The sacramental vessels are of silver, parcel gilt, and consist of a paten, two chalices, a flagon, and a basin for the offertory, the whole executed from designs by William Butterfield, esq. in imitation of ancient examples.

The exterior of this church is generally very plain; the windows of the aisles, chancel, and clere-story are separated by shallow buttresses running into a corbel table above. The roofs are of a high pitch, covered with a Cornish slate, and the gables surmounted by the Than cross. More ornament has been bestowed on

the west front. The centre doorway is an excellent specimen of Norman work, consisting of cable, chevron, and other mouldings very happily disposed. Above is the west window, flanked by an inter. secting arcade, of which two recesses, one on each side the window, are pierced, thus forming a triplet within. The north door opening into the tower is also ornamented with chevron mouldings, which have a chaste effect.

We cannot close this account without noticing that the church has been erected chiefly through the munificence of the Marquess of Ailesbury, who has also largely contributed to the endowment fund; nor can we omit to pay a tribute of commendation to the architect Mr. Ferrey, who has so eminently succeeded in his exertions to make this church a truly Christian Temple.

thereabouts. Our attention was more particularly directed to the parish churches of Bebbington and Woodchurch. My remarks on the former I shall reserve for the ensuing month, and, in the meantime, I have great pleasure in communicating to you the following interesting intelligence concerning the latter.

The parish of Woodchurch, in Cheshire, lies midway between the Mersey and the Dee, and, in former ages, it was a portion of the great forest of Wirrall. A short time before the death of King Edward the Third the whole was disforested. At that time the present church was built, and appears to have been completed early in the reign of his successor. It stands on the site of a much older one, "the church in the wood," and consists of a handsome square tower, a nave, south aisle, chancel, and vestry. The structure is entirely of the old red sandstone, and has not been much injured by the lapse of time. It seems to have been generally kept in good repair. The style is decorated English, with a slight indication of transition to that which followed it. The original work has been well preserved throughout the sacred edifice, with the exception of the windows of the nave and aisle, and the front of the south porch. These were all renewed early in the reign of King Henry the Eighth, a period distinguished for great zeal in re-building, enlarging, and repairing churches. They are all of the square-headed kind, the windows large and altogether of handsome workmanship.

While visiting at Woodchurch we had many conversations on the practicability of in some measure restoring the venerable structure to its original state. We happily found the materials in good condition; but the fine old timber roofs, and the graceful chancel arch, had been entirely hidden by low and flat white-washed ceilings. The richly carved screen had been removed, the entrance to the chancel encumbered with pews, and that portion of the church disfigured by four more that were large, square, and of considerable height.

By the praiseworthy exertions of the good rector, his lady, and one of his nephews, all the projected improvements have been carried into effect, and are now nearly completed. They have shewn

Restoration of the church at Woodchurch, great liberality; and, to the credit of the

Cheshire.

MR. URBAN,-Having in the course of last summer passed a few weeks in Liverpool and the neighbouring parts of Cheshire, among several good old friends, we took the opportunity, according to the bent of our minds, to examine carefully some interesting old churches and mansions

parishioners, at the late Easter meeting a rate in aid of what had already been done was unanimously voted, without a single objection.

In examining the walls the following remains of past times were discovered, and have since been repaired and kept open, viz. 1. On the north side of the chancel, and a few inches within the altar

rail, an aperture rather more than two feet in height, seven inches in its narrowest width, and arched at the top. It communicated with the vestry, and had been intended for the convenience of persons necessarily within during the performance of divine service. 2. Indications of steps near the south-east angle of the nave that had led to the rood-loft. 3. A very neat arched niche in the south wall of the aisle, near to its eastern termination, where are some indications of there having been an altar, doubtless that of the blessed Virgin Mary. 4. A plain small opening for a locker on the north side of it. A small niche for the hallowed water in the north-east angle of the porch, close to the south doorway. 6. Nearly the whole of the nave still bears the remains of a painted surface. Much of it is on dressed stone-work, which has long been covered with repeated coats of whitewash. All these had been very carefully concealed on the settlement of the Reformation; and, as a good part at least of the south wall of the chancel was rebuilt about forty or fifty years ago, there are no remains of the sedilia that must certainly have adorned it.

5.

THE RESTORATIONS.-The white ceilings of the chancel, the nave, and the aisle, have successively been taken down, and the high-pitched roofs within are now laid open, together with the chancel-arch; the oldest persons of the present generation never saw them before, and it is very gratifying that their well-proportioned timbers and good condition have far exceeded the general expectation. The workmanship is for the most part plain; but the principals in the roof of the nave are terminated on each side with carved heads.

The piers and arches of the nave and chancel are of polished stone, and the well-formed figure presented by each of them is entirely freed from the mass of paint with which for a length of time it has been covered.

A western gallery, far from being handsome, though of small projection, will shortly be taken down. The opening behind it will then admit of the original decorated window in the west side of the tower being seen from all parts of the church eastward. The tracery of it is intended to be filled with ancient stained glass. The organ, when removed, will most probably be placed on a platform at the west end of the aisle.

Between the organ and the south door is a fine old font of stone, that was much admired by Mr. Lysons when he visited this parish. It has the sacrarium or water.

drain; and at this font the holy sacrament of baptism has always been administered after the second lesson, according to the order of the Church.

The encumbering pews at the east end of the nave will be removed, for the space of nine feet in width; and at the entrance of the chancel will be an elegantly carved screen of Dantzic oak.

The pulpit with its sounding board will be set diagonally at the northern angle, and the reading desk beneath it, looking southward and westward.

The pews that were within the chancel are replaced by a range of stalls on each side, chiefly of oak. They are of good design, and their ends are terminated by richly-carved poppy heads, that have been preserved in the church from the time of its erection.

The altar rails were of such a substance as to admit of being re-modelled according to the justly admired style of the fourteenth century.

New tables of the Commandments, the Lord's Prayer, and the Apostles' Creed, have been set up, having the letters painted of a beautiful blue, on a light stone colour, and all the capitals richly illuminated in the three primitive colours. Above the first of these is this inscription,

"The law was given by Moses. "Grace and truth came by Jesus Christ." Above the Lord's Prayer, "After this manner, therefore, pray ye.' Above the Apostles' Creed,

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Repent ye and believe the Gospel." The mouldings are all suitably decorated.

The original eastern window has been composed of ancient stained glass, from the rare and beautiful collection of Mr. Watson, of Hanway Street, London, brought about half a century ago from the churches of suppressed monasteries in France. The upper parts of the two south windows of the chancel are also decorated with glass from the same source.

The following inscription is inserted at the bottom of the east window.

"Deo et Ecclesiæ hanc Fenestram humiliter dedicavit Georgius Smith King, A.D. MDCCCXLIV."

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ber." This letter appears to have been written Nov. 19, 1472; in another place, "the takyng of hyr chambre" is alluded to; and in a third letter, dated Nov. 24, it is stated that the " 'lady tooke not hyr chambre till yesterday." To the letters containing the above cited allusions, the following note is appended:

"There appear to have been some ceremonies anciently used when the lady took her chamber. It is stated that when the Queen of Henry VII. took her chamber, the Erles of Shrewsbury and of Kente hyld the towelles whan the Queen toke her rightes; and the torches were holden by knightes. Whan she was comen into hir great chambre, she stode under her cloth of estate; then there was ordeyned a voide of espices and swet wyne; that doone, my Lorde, the Quene's Chamberlain, in very goode wordes, desired in the Quene's name the pepul there present to pray God to send hir the goode houre: and so she departed to hir inner chambre."

From a MS. in the Cotton. Library. What the rights were, which the Queen took, I have been unable to discover; nor can I explain the ceremony of a lady taking her chamber. Hermione, when before her judges, complains that she was deprived of her privilege

"with immodest hatred

The child-bed privilege denied, which 'longs
To women of all fashion :-lastly, hurried
Here to this place, i' the open air, before
I have got strength of limit."'*

Winter's Tale, Act iii. sc. 2. Were the rights of the same kind as the privilege here claimed? Shakespeare's commentators are silent upon this subject.

The celebrated French midwife, Louise Bourgeois dite Boursier, who has given a very minute account of the several lyings-in of Marie de Medicis, Queen of Henry IV. of France, describes several of the preparations made for her first confinement. A tent or pavilion was erected in the great chamber at Fontainebleau. It was made of very fine holland, at least

* Johnson suggests "strength of limb," and he is supported by one of the folios, which reads "" strength of limbs;" but limit is the approved reading.

twenty ells round; within this larger pavilion was a smaller one made of the same material; the Queen's bed was placed in this inner pavilion, and into it none were admitted but the King, who scarcely left the Queen during her illness of twenty-two hours' duration, and those whose immediate attendance upon the Queen was necessary the larger pavilion was appropriated to those ladies and officers whose presence at a royal birth was officially required.

There were in attendance, in case their assistance should be required, four of the most celebrated physicians and a surgeon, Guillemeau, to whom Louise Bourgeois made occasional reports of the progress of the labour; but no one, except the midwife, took any active share in the labour itself.

The relics of Saint Margaret (les reliques de Madame Saincte Marguerite) were placed upon a table in the chamber, and two priests (Religieux de Sainct Germain des Prez) offered up prayers to God without ceasing but no ceremony or formal taking of the chamber is mentioned, no rights or privileges are alluded to; nor have I been able to find any information upon this subject, though I have sought for it among the early writers on midEnglish and foreign. wifery, both female and male, both

In an edition of Jacobus Rueffus de Conceptu, printed at Frankfort on the Maine, 1587, 4to. there are some wood-cuts representing several matters illustrative of the practice of midwifery three hundred years ago. One of these represents a lady, evidently far advanced in her pregnancy, who has called upon her midwife to bespeak her attendance. The lady is very elegantly attired, having a short cloak or

mantle over her dress, her head is adorned with a lace cap, on which she wears a small hat; she is in a standing posture, but behind her there is a wellcushioned chair, on which she may, if companied by a favourite shock dog, she pleases, repose: she has been acwhich is standing by her side.

The midwife is clad in a more homely style than the lady, but everything about her is neat and handsome, shewing that she ranked high among

this useful branch of practitioners; on
a table covered with a cloth is a
chicken dressed, and a tankard with a
glass goblet is standing near; whether
because she was about to take her
dinner, or that refreshment should be
ready in case any person should call,
must remain uncertain. The midwife
appears as if discussing the question
as to the time when the labour may
be expected, and the lady is listening
with great attention,

woman;

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Another picture represents the lady placed upon the chair, which was then commonly used for the parturient the midwife is in attendance, and all that is considered necessary for her in the exercise of her art is placed within reach in proper order. On each side of the lady is a female; one is a domestic with the expression of much feeling in her countenance, soothing and comforting her mistress, the other is an old nurse who may be supposed to say, Aye! you must bear it, you know." Refreshments are placed upon the table, and on the floor is a large jug of hot water, and likewise a wooden pail. In the background is seen a four-post bedstead prepared with two or three pillows for the lady to be removed to after the labour is over, and in an adjoining closet are two physicians or astrologers carefully noticing the moon and stars, and making calculations on the horoscope to cast the nativity of the infant at its first entrance into the world.

A third picture shews that the labour has happily terminated; the lady has been conveyed to her bed, and two attendants, one on each side, are offering her cordials and refreshments, but she seems disinclined to take anything, and wishes for repose. In front the nurse is represented bathing and washing the new-born babe in a large bason; a small pan with a sponge in it is ready at her side; an under nurse is holding a large cloth or flannel soon as the to receive the child as washing is finished; a handsome cradle is at hand which an older child, carrying a doll in her arms, is amusing herself with rocking. At a side table are seen the two astrologers and the midwife, enjoying the various good things that have been prepared for

them; the midwife has a good sized drinking cup at her mouth, evidently intent on draining it to the bottom. A door opens into a kitchen at some distance, where a female servant is preparing some necessaries over large fire.

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Nothing in these prints indicates the darkness or closeness of the lying-in chamber which prevailed formerly to so great and injurious an extent in England; but probably, though the prints exhibit light and ventilation, the rooms in Germany were kept quite as close and dark as in England, for the adage Frigus omnibus parturientibus et puerperis pestis est, id quod etiam de potu frigido intelligendum, comes from a German author. So great a dread of cold existed even within the last twenty years that very careful nurses were accustomed, during the entire month of childbed, to wrap the handles of spoons, knives and forks, &c. with silver paper, that they might not feel cold to the touch; even the elegant little silver hand-bell which rested on the bed for the convenience of the invalid was enshrined in silver paper. Yours, &c. S. M.

ROMAN INSCRIPTION FOUND NEAR
PIERCEBRIDGE.

An inscribed stone was lately found at
Piercebridge, or rather at Cliffe, on the
Yorkshire side of the Tees. The station
was on the Durham side of the river, at
Piercebridge; but, as is well known, the
Romans buried their dead in all directions
At all events
by the side of their roads.
the stone seems to have been found within
half a mile from the camp of Piercebridge
itself. The inscription is of the monu-
mental character, and seems to have been
erected by Aurelia Flavilla to her hus-
band.

...M RACIII

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