Fated Sky: The Femina Furens in ShakespeareUniversity of Delaware Press, 2000 - 174 pàgines The ensuing chapters extend the idea by explaining the centrality of John Studley's Medea to Shakespeare's conception of Joan la Pucelle (1 Henry V), Margaret of Anjou (2 Henry VI, 3 Henry VI, Richard III), and Tamora (Titus Andronicus); the further transformations of femina furens in The Taming of the Shrew and The Merchant of Venice; the strange parallels between Helena (All's Well that Ends Well) and John Studley's Phaedra; and between Cleopatra and Jasper Heywood's Juno. The last chapter suggests that Imogen and Cymbeline's Queen represent an exorcism of femina furens."--Jacket. |
Des de l'interior del llibre
Resultats 1 - 5 de 21.
Pàgina
... verbal echoes and allu- sions reveal how many variations that Shakespeare works on a single pattern , de- pendent entirely on the dramatic situation in a particular play . The introduction and first chapter discuss the critical history ...
... verbal echoes and allu- sions reveal how many variations that Shakespeare works on a single pattern , de- pendent entirely on the dramatic situation in a particular play . The introduction and first chapter discuss the critical history ...
Pàgina 14
... verbal echoes and allusions . In the process of comparison , I discover how many variations Shake- speare can work upon a single pattern , variations entirely de- pendent upon the dramatic situation he wishes to create in a particular ...
... verbal echoes and allusions . In the process of comparison , I discover how many variations Shake- speare can work upon a single pattern , variations entirely de- pendent upon the dramatic situation he wishes to create in a particular ...
Pàgina 18
... verbal echoes . II Som peeces remaine , like broken lewelles , whereby men may rightlie esteme and iustlie lament the losse of the whole . ( Roger Ascham , The Scholemaster ) Heere Friend's anothers purse : in it , a lewell Well worth a ...
... verbal echoes . II Som peeces remaine , like broken lewelles , whereby men may rightlie esteme and iustlie lament the losse of the whole . ( Roger Ascham , The Scholemaster ) Heere Friend's anothers purse : in it , a lewell Well worth a ...
Pàgina 26
... verbal parallels on which scholars have traditionally relied . However , Jonathan Bate explains how limiting such philological hermeneutics can be : " the most profound affinities may be the least demonstrable precisely because they go ...
... verbal parallels on which scholars have traditionally relied . However , Jonathan Bate explains how limiting such philological hermeneutics can be : " the most profound affinities may be the least demonstrable precisely because they go ...
Pàgina 29
... verbal similarities ... to group without discrimination academic drama and drama de- signed for a popular audience , as though Seneca's influence on the former were as significant as the influence on the latter . " 9915 Without question ...
... verbal similarities ... to group without discrimination academic drama and drama de- signed for a popular audience , as though Seneca's influence on the former were as significant as the influence on the latter . " 9915 Without question ...
Continguts
24 | |
40 | |
I Will Be Angry | 61 |
I His Despightfull luno | 77 |
I Will Be Even with Thee | 95 |
Most Cruel to Herself | 112 |
Fierce Abridgements | 127 |
Notes | 130 |
Bibliography | 156 |
Index | 172 |
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Frases i termes més freqüents
All's androgyny Antony and Cleopatra Antony's aphorism argues Bassanio bed trick Berkeley Bertram California Press Cambridge character Clarendon Press Clytemnestra Comedy comic Creon critics Cymbeline doth echoes Essays femina furens gender Hamlet haue Helena Henry Henry VI Hercules Furens Hercules Oetaeus Heywood's Hippolytus imitation Imogen Iuno Jasper Heywood Joan la Pucelle Joan's Juno Katherine Katherine's King Language Latin Literary Literature London loue Margaret Medea Megaera Miola Nevile's Newton Niccolò Machiavelli Nutrix Octavia Oedipus Oxford Petruchio Phaedra play play's playwrights Portia Posthumus Queen rage reanimation Renaissance Renaissance Drama Renaissance Tragedy revenge rhetoric Roman Rosenmeyer Routledge Seneca Seneca's Tragedies Senecan Tragedy sexual Shake Shakespeare Quarterly Shakespeare Studies Shakespeare Survey 37 Shrew soliloquy speare speare's speech stichomythia stichomythic Stoic Studies in English Studley Studley's Medea Tamora Tenne Tragedies thee Thomas thou Thyestes tion Titus Andronicus Translations of Seneca's Tudor University of California University Press verbal witchcraft woman women
Passatges populars
Pàgina 56 - of Burgundy: Look on thy Country, look on fertile France, And see the Cities and the Townes defac't, By wasting Ruine of the cruell Foe, As lookes the Mother on her lowly Babe, When Death doth close his tender-dying Eyes. See, see the pining Maladie of France: Behold the Wounds, the most
Pàgina 93 - Who euer shoots at him, I set him there. Who euer charges on his forward brest I am the Caitiffe that do hold him too't, And though I kill him not, I am the cause His death was so effected (3.2.112-16;
Pàgina 116 - Could I finde out The womans part in me, for there's no motion That tends to vice in man, but I affirme It is the Womans part: be it Lying, note it, The womans: Flattering, hers; Deceiuing, hers:
Pàgina 59 - First let me tell you whom you have condemn'd: Not me, begotten of a Shepheard Swaine, But issued from the Progeny of Kings. Vertuous and Holy, chosen from aboue, By inspiration of Celestial Grace, To worke exceeding myracles on earth.
Pàgina 75 - I may neither choose whom I would, nor refuse whom I dislike, so is the wil of a liuing daughter curb'd by the will of a dead father
Pàgina 43 - But burning fatall to the Talbonites. Bastard: See noble Charles the Beacon of our friend, The burning Torch in yonder Turret stands. Charles: Now shine it like a Commet of