Fated Sky: The Femina Furens in ShakespeareUniversity of Delaware Press, 2000 - 174 pàgines The ensuing chapters extend the idea by explaining the centrality of John Studley's Medea to Shakespeare's conception of Joan la Pucelle (1 Henry V), Margaret of Anjou (2 Henry VI, 3 Henry VI, Richard III), and Tamora (Titus Andronicus); the further transformations of femina furens in The Taming of the Shrew and The Merchant of Venice; the strange parallels between Helena (All's Well that Ends Well) and John Studley's Phaedra; and between Cleopatra and Jasper Heywood's Juno. The last chapter suggests that Imogen and Cymbeline's Queen represent an exorcism of femina furens."--Jacket. |
Des de l'interior del llibre
Resultats 1 - 5 de 31.
Pàgina
... Helena ( All's Well that Ends Well ) and John Studley's Phaedra ; and between Cleopatra and Jasper Heywood's Juno . The last chapter suggests that Imogen and Cymbeline's Queen repre- sent an exorcism of femina furens . Although ...
... Helena ( All's Well that Ends Well ) and John Studley's Phaedra ; and between Cleopatra and Jasper Heywood's Juno . The last chapter suggests that Imogen and Cymbeline's Queen repre- sent an exorcism of femina furens . Although ...
Pàgina 14
... next two chapters attempt to decode the strange parallels between Helena ( AWW ) and John Studley's Phaedra ( Hip ) , and between Cleopatra ( Ant ) and Jasper Hey- wood's Juno ( HF ) . Chapter 6 argues that 14 FATED SKY.
... next two chapters attempt to decode the strange parallels between Helena ( AWW ) and John Studley's Phaedra ( Hip ) , and between Cleopatra ( Ant ) and Jasper Hey- wood's Juno ( HF ) . Chapter 6 argues that 14 FATED SKY.
Pàgina 15
... Helena ; at the same time , other habits of the ancient playwright surface in the work of his successor . I also explain the significance of Renaissance imitation theory for Shakespeare ; his imitatio tends toward the dialectical , or ...
... Helena ; at the same time , other habits of the ancient playwright surface in the work of his successor . I also explain the significance of Renaissance imitation theory for Shakespeare ; his imitatio tends toward the dialectical , or ...
Pàgina 16
... Helena , Katherine , and Rosalind were women , or that the things that these boys said about ( or said as ) women functioned as cul- tural normatives.5 I Of all this huge and endles worke the guyde , More wondrous nature framde that I ...
... Helena , Katherine , and Rosalind were women , or that the things that these boys said about ( or said as ) women functioned as cul- tural normatives.5 I Of all this huge and endles worke the guyde , More wondrous nature framde that I ...
Pàgina 30
... Helena appears to have been instinct as well as standard practice . II I was neuer so bethumpt with words . ( KJ 2.1.466 ; 782 ) Virtually all Shakespeare critics who study the Senecan issue include selections from the Tenne Tragedies ...
... Helena appears to have been instinct as well as standard practice . II I was neuer so bethumpt with words . ( KJ 2.1.466 ; 782 ) Virtually all Shakespeare critics who study the Senecan issue include selections from the Tenne Tragedies ...
Continguts
24 | |
40 | |
I Will Be Angry | 61 |
I His Despightfull luno | 77 |
I Will Be Even with Thee | 95 |
Most Cruel to Herself | 112 |
Fierce Abridgements | 127 |
Notes | 130 |
Bibliography | 156 |
Index | 172 |
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Passatges populars
Pàgina 56 - of Burgundy: Look on thy Country, look on fertile France, And see the Cities and the Townes defac't, By wasting Ruine of the cruell Foe, As lookes the Mother on her lowly Babe, When Death doth close his tender-dying Eyes. See, see the pining Maladie of France: Behold the Wounds, the most
Pàgina 93 - Who euer shoots at him, I set him there. Who euer charges on his forward brest I am the Caitiffe that do hold him too't, And though I kill him not, I am the cause His death was so effected (3.2.112-16;
Pàgina 116 - Could I finde out The womans part in me, for there's no motion That tends to vice in man, but I affirme It is the Womans part: be it Lying, note it, The womans: Flattering, hers; Deceiuing, hers:
Pàgina 59 - First let me tell you whom you have condemn'd: Not me, begotten of a Shepheard Swaine, But issued from the Progeny of Kings. Vertuous and Holy, chosen from aboue, By inspiration of Celestial Grace, To worke exceeding myracles on earth.
Pàgina 75 - I may neither choose whom I would, nor refuse whom I dislike, so is the wil of a liuing daughter curb'd by the will of a dead father
Pàgina 43 - But burning fatall to the Talbonites. Bastard: See noble Charles the Beacon of our friend, The burning Torch in yonder Turret stands. Charles: Now shine it like a Commet of