A mighty voice invokes thee. Ruin calls
His brother Death. A rare and regal prey
He hath prepared, prowling around the world;
Glutted with which thou may'st repose, and men
Go to their graves like flowers or creeping worms,
Nor ever more offer at thy dark shrine
The unheeded tribute of a broken heart.
When on the threshold of the green recess
The wanderer's footsteps fell, he knew that death Was on him. Yet a little, ere it fled,
Did he resign his high and holy soul
To images of the majestic past,
That paused within his passive being now,
Like winds that bear sweet music, when they
Through some dim latticed chamber. He did
His pale lean hand upon the rugged trunk
Of the old pine. Upon an ivied stone
Reclined his languid head; his limbs did rest,
Diffused and motionless, on the smooth brink
Of that obscurest chasm ;-and thus he lay,
Surrendering to their final impulses
The hovering powers of life. Hope and despair,
The torturers, slept; no mortal pain or fear
Marred his repose; the influxes of sense
And his own being, unalloyed by pain,
Yet feebler and more feeble, calmly fed
The stream of thought, till he lay breathing there
At peace, and faintly smiling. His last sight
Was the great moon, which o'er the western line
Of the wide world her mighty horn suspended,
With whose dun beams inwoven darkness seemed
To mingle. Now upon the jagged hills
It rests, and still as the divided frame
Of the vast meteor sunk, the Poet's blood,
That ever beat in mystic sympathy
With nature's ebb and flow, grew feebler still;
And when two lessening points of light alone
Gleamed through the darkness, the alternate
Of his faint respiration scarce did stir
The stagnate night;—till the minutest ray
Was quenched, the pulse yet lingered in his heart. It paused-it fluttered.
Utterly black, the murky shades involved.
An image silent, cold, and motionless
As their own voiceless earth and vacant air.
Even as a vapour fed with golden beams
That ministered on sunlight, ere the west
Eclipses it, was now that wondrous frame-
No sense, no motion, no divinity—
A fragile lute, on whose harmonious strings
The breath of heaven did wander-a bright stream
Once fed with many-voiced waves—a dream
Of youth, which night and time have quenched
Still, dark, and dry, and unremembered now.
O, for Medea's wondrous alchemy,
Which wheresoe'er it fell made the earth gleam
With bright flowers, and the wintry boughs exhale
From vernal blooms fresh fragrance! O, that
God,
Profuse of poisons, would concede the chalice
Which but one living man has drained, who now,
Vessel of deathless wrath, a slave that feels
No proud exemption in the blighting curse
He bears, over the world wanders for ever,
Lone as incarnate death! O, that the dream
Of dark magician in his visioned cave,
Raking the cinders of a crucible
For life and power, even when his feeble hand
Shakes in its last decay, were the true law
Of this so lovely world! But thou art fled,
Like some frail exhalation, which the dawn
Robes in its golden beams,-ah! thou hast fled!
The brave, the gentle, and the beautiful,
The child of grace and genius. Heartless things
Are done and said i' the world, and many worms
And beasts and men live on, and mighty Earth
From sea and mountain, city and wilderness,
In vesper low or joyous orison,
Lifts still its solemn voice ;-but thou art fled:
Thou canst no longer know or love the shapes
Of this phantasmal scene, who have to thee
Been purest ministers,-who are, alas!
Now thou art not. Upon those pallid lips,
So sweet even in their silence, on those eyes
That image sleep in death, upon that form
Yet safe from the worm's outrage, let no tear
Be shed-not even in thought. Nor, when those
hues
Are gone, and those divinest lineaments,
Worn by the senseless wind, shall live alone
In the frail pauses of this simple strain,
Let not high verse, mourning the memory
Of that which is no more, or painting's woe
Or sculpture, speak in feeble imagery
Their own cold powers. Art and eloquence,
And all the shows o' the world, are frail and vain
To weep a loss that turns their light to shade.
It is a woe "too deep for tears," when all
Is reft at once, when some surpassing spirit,
Whose light adorned the world around it, leaves
Those who remain behind nor sobs nor groans,
The passionate tumult of a clinging hope;
But pale despair and cold tranquillity,
Nature's vast frame, the web of human things,
Birth and the grave, that are not as they were.
"ALASTOR" is written in a very different tone from "Queen Mab." In the latter, Shelley poured out all the cherished speculations of his youth-all the irrepressible emotions of sympathy, censure, and hope, to which the present suffering, and what he considers the proper destiny of his fellowcreatures, gave birth. "Alastor," on the contrary, contains an individual interest only. A very few years, with their attendant events, had checked the ardour of Shelley's hopes, though he still thought them well-grounded, and that to advance their fulfilment was the noblest task man could achieve.
This is neither the time nor place to speak of the misfortunes that chequered his life. It will be sufficient to say, that in all he did, he at the time of doing it believed himself justified to his own conscience; while the various ills of poverty and loss of friends brought home to him the sad realities of life. Physical suffering had also considerable influence in causing him to turn his eyes inward; inclining him rather to brood over the thoughts and emotions of his own soul, than to glance abroad, and to make, as in "Queen Mab," the whole universe the object and subject of his song. In the spring of 1815, an eminent physician pronounced that he was dying rapidly of a consumption; abscesses were formed on his lungs, and he suffered acute spasms. Suddenly a complete change took place; and though through life he was a martyr to pain and debility, every symptom of
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