King Henry VIII: Third SeriesBloomsbury Academic, 2 de nov. 2000 - 506 pàgines King Henry VIII has one of the fullest theatrical histories of any play in the Shakespeare canon, yet has been consistently misrepresented, both in performance and in criticism. This edition offers a new perspective on this ironic, multi-layered, collaborative play, revealing it as a complex meditation on the progress of Reformation which sees English life since Henry VIII's day as a series of bewildering changes in national and personal allegiance and represents 'history' as the product of varied and contradictory testimony. McMullan makes a powerful claim for the rehabilitation of Henry VIII, providing the fullest performance history of any edition to date and reading the work not as a marginal 'late' Shakespeare play but as a play which is paradigmatic of the achievement of Renaissance drama as a whole.'This is a staggeringly brilliant, captivating edition that will undoubtedly occasion a huge surge of critical interest in this neglected play. For those of use who have never taken Henry VIII very seriously ' perhaps dismissing it as a late collaborative play of no consequence or as conservative propaganda ' McMullan's introduction is genuinely revelatory.'Eric Rasmussen, University of Nevada at Reno, Shakespeare Survey |
Des de l'interior del llibre
Resultats 1 - 3 de 87.
Pàgina 144
... scene of Henry VIII , more than any other , has either been omitted altogether or else heavily cut , and that is 5.3 , the scene featuring the Porter and his Man . Formally , the scene has the function of an antimasque , a brief period ...
... scene of Henry VIII , more than any other , has either been omitted altogether or else heavily cut , and that is 5.3 , the scene featuring the Porter and his Man . Formally , the scene has the function of an antimasque , a brief period ...
Pàgina 231
... scene ( see Appendix 3 ) . Henry is char- acterized in this scene as passive ( despite bluster ) : virtually everyone else ( Katherine , Wolsey , Norfolk , the Surveyor ) occupies an active political role , while the King speaks in ...
... scene ( see Appendix 3 ) . Henry is char- acterized in this scene as passive ( despite bluster ) : virtually everyone else ( Katherine , Wolsey , Norfolk , the Surveyor ) occupies an active political role , while the King speaks in ...
Pàgina 316
... scene ( see Appendix 3 ) . Cut entirely by Kem- ble . Holinshed's account of the Cardinals ' visit to Katherine places it before Campeius ' adjournment of the trial . Here the playwright expands the moment into a powerfully emotive scene ...
... scene ( see Appendix 3 ) . Cut entirely by Kem- ble . Holinshed's account of the Cardinals ' visit to Katherine places it before Campeius ' adjournment of the trial . Here the playwright expands the moment into a powerfully emotive scene ...
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Anne Bullen appears Archbishop audience authorship Beaumont Birth of Merlin Bishop Buckingham Campeius Capell Cardinal cardinall Cavendish Chronicles collaborative Compositor conscience context coronation court Cranmer critics Cromwell Cyrus Hoy death divorce dramatic Duke early modern echoes edition Elizabeth emendation England English F lines Fletcher Foakes Foakes Ard² Folio Foxe GENTLEMAN grace GRIFFITH hath haue heaven Henry VIII Henry's Holinshed Holinshed's honour Jacobean James John Katherine Katherine of Aragon Katherine's King Henry King's late plays London Lord Chamberlain LOVELL Marguerite of Angoulême marriage masque noble Noble Kinsmen NORFOLK notes o'th Old Lady performance play's playwrights political Pope pray Prince prophecy Protestant Queen Reformation reign royal Royal Shakespeare Company scene seems sexual Shakespeare canon Sir Thomas speech stage Steevens Stow subst SUFFOLK suggests SURREY theatre theatrical Theobald thou tion truth Virtue Betrayed vnto vols William Shakespeare Winter's Tale Wolsey Wolsey's woman words