Tragic Drama in Aeschylus, Sophocles, and ShakespeareLongmans, Green and Company, 1904 - 280 pàgines |
Des de l'interior del llibre
Resultats 1 - 5 de 15.
Pàgina viii
Lewis Campbell. his work seems more akin to the romantic drama of the Elizabethan and Jacobean periods than to the tragic masterpieces . I leave this hint to be de- veloped by some one who is more intimate with ' Euripides the human ...
Lewis Campbell. his work seems more akin to the romantic drama of the Elizabethan and Jacobean periods than to the tragic masterpieces . I leave this hint to be de- veloped by some one who is more intimate with ' Euripides the human ...
Pàgina 1
... Elizabethan England . These resemblances are apt to be obscured by the differences of origin and of surroundings which in- evitably separate from one another the productions of peoples so remote in place and time . But in so far as the ...
... Elizabethan England . These resemblances are apt to be obscured by the differences of origin and of surroundings which in- evitably separate from one another the productions of peoples so remote in place and time . But in so far as the ...
Pàgina 2
... Renaissance had awakened in the glories of antiquity . The main differences between the Attic and the Elizabethan theatres may be briefly stated at the outset . ANCIENT AND MODERN 3 ( 1 ) Simplicity and Complexity 2 TRAGIC DRAMA.
... Renaissance had awakened in the glories of antiquity . The main differences between the Attic and the Elizabethan theatres may be briefly stated at the outset . ANCIENT AND MODERN 3 ( 1 ) Simplicity and Complexity 2 TRAGIC DRAMA.
Pàgina 5
... Elizabethan public was for bustling business on the stage . They required that the story should be presented in action , not merely represented to the mind . Hence arose a superficial contrast which detracts something from the ...
... Elizabethan public was for bustling business on the stage . They required that the story should be presented in action , not merely represented to the mind . Hence arose a superficial contrast which detracts something from the ...
Pàgina 17
... Elizabethan , the reading public was small and the mass of the spectators were ready to accept without critical inquiry a new version of a familiar history . с It is a commonplace observation that the Elizabethan like the.
... Elizabethan , the reading public was small and the mass of the spectators were ready to accept without critical inquiry a new version of a familiar history . с It is a commonplace observation that the Elizabethan like the.
Altres edicions - Mostra-ho tot
Tragic Drama in Aeschylus, Sophocles, and Shakespeare: An Essay Lewis Campbell Visualització completa - 1904 |
Tragic Drama in Aeschylus, Sophocles, and Shakespeare: An Essay Lewis Campbell Visualització completa - 1904 |
Tragic Drama in Aeschylus, Sophocles, and Shakespeare: An Essay Lewis Campbell Visualització completa - 1904 |
Frases i termes més freqüents
action actor Aeschylean Aeschylus Agamemnon Ajax ancient Antigone Antony appears Athenian Attic audience Banquo catastrophe CHAPTER character Chorus Cleopatra climax Clytemnestra Coleridge comedy contrast Creon crisis Cymbeline death Deianira divine Edgar effect Electra Elizabethan emotion English Erinyes Euripides evil expression fable fate fear feeling follows fourth act Hamlet heart honour Horatio horror human Iago ideal imagination impression Julius Caesar Kent King Lear language less Macbeth Macduff madness masterpieces meaning mind modern moral motive murder nature noble observed Oedipus Oedipus Coloneus once Ophelia Othello passages passion pathetic pathos persons Philoctetes pity play plot poet's poetic Polynices present Prince R. C. Jebb realise rendered Richard Romeo and Juliet says scene sequel Shakespeare Shakespearian situation soliloquy Sophoclean Sophocles spectator speech spirit stage sympathy Tecmessa Tempest Teucer things thought tion Trachiniae Tragic diction tragic drama trilogy triumph true truth unity Venice whole words
Passatges populars
Pàgina 62 - Time's glory is to calm contending kings, To unmask falsehood, and bring truth to light, To stamp the seal of time in aged things, To wake the morn, and sentinel the night, To wrong the wronger till he render right ; To ruinate proud buildings with thy hours, And smear with dust their glittering golden towers : 1 To fill with worm-holes stately monuments, To feed oblivion with decay of things, To blot old books, and alter their contents, To pluck the quills from ancient ravens...
Pàgina 111 - He being thus lorded, Not only with what my revenue yielded. But what my power might else exact, — like one Who having unto truth, by telling of it, Made such a sinner of his memory, To credit his own lie...
Pàgina 211 - In the corrupted currents of this world Offence's gilded hand may shove by justice, And oft 'tis seen the wicked prize itself Buys out the law; but 'tis -not so above: There is no shuffling, there the action lies In his true nature, and we ourselves compell'd Even to the teeth and forehead of our faults To give in evidence.
Pàgina 215 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Pàgina 8 - Tragedy, as it was anciently composed, hath been ever held the gravest, moralest, and most profitable of all other poems: therefore said by Aristotle to be of power by raising pity and fear, or terror, to purge the mind of those and such like passions, that is to temper and reduce them to just measure with a kind of delight stirred up by reading or seeing those passions well imitated.
Pàgina 203 - Horatio, what a wounded name, Things standing thus unknown, shall live behind me ? If thou didst ever hold me in thy heart, Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story.
Pàgina 31 - By the o'ergrowth of some complexion Oft breaking down the pales and forts of reason Or by some habit that too much o'er-leavens The form of plausive manners that these men Carrying I say the stamp of one defect Being nature's livery or fortune's star...
Pàgina 247 - Our love was new and then but in the spring When I was wont to greet it with my lays, As Philomel in summer's front doth sing And stops her pipe in growth of riper days ; Not that the summer is less pleasant now Than when her mournful hymns did hush the night, But that wild music burthens every bough And sweets grown common lose their dear delight.
Pàgina 161 - There is One great society alone on earth : The noble Living and the noble Dead.
Pàgina 72 - Wilt thou draw near the nature of the gods ? Draw near them then in being merciful : Sweet mercy is nobility's true badge, Thrice-noble Titus, spare my first-born son.