Enter the Body: Women and Representation on Shakespeare's StageOne of the most provocative writers on women's performances of Shakespeare on stage and film in Britain today, Rutter speculates on how the theatre 'plays' women's bodies and how audiences read them.Enter the Body offers a series of provocative case studies of the work women's bodies do on Shakespeare's intensely body-conscious stage. Rutter's topics are sex, death, race, gender, culture, politics, and the excessive performative body that exceeds the playtext it inhabits. As well as drawing upon vital primary documents from Shakespeare's day, Rutter offers close readings of women's performance's on stage and film in Britian today, from Peggy Ashcroft's (white) Cleopatra and Whoopi Goldberg's (whiteface) African Queen to Sally Dexter's languorous Helen and Alan Howard's raver 'Queen' of Troy. |
Què en diuen els usuaris - Escriviu una ressenya
No hem trobat cap ressenya als llocs habituals.
Continguts
speculating | 1 |
Ophelia in the grave | 27 |
making whiteness strange | 57 |
Troiluss sleeve | 104 |
gossiping hussies | 142 |
Altres edicions - Mostra-ho tot
Enter The Body: Women and Representation on Shakespeare's Stage Carol Chillington Rutter Previsualització limitada - 2002 |
Enter the Body: Women and Representation on Shakespeare's Stage Carol Chillington Rutter Previsualització limitada - 2001 |
Enter The Body: Women and Representation on Shakespeare's Stage Carol Chillington Rutter Previsualització limitada - 2002 |
Frases i termes més freqüents
Achilles actors Antony and Cleopatra arms audience August beginning body called camera casting construct Cordelia corpse costume course court cultural dark daughter dead death Desdemona designed desire directed discursive dress early Egypt Egyptian Elizabeth Elizabethan Emilia English eyes face father female figure film finally frame gives gossip grave Greek Hamlet hand head heart Helen holding Iago imagines John King later Lear Lear's London looking male marks material means Michael move narrative natural never observes offers opening Ophelia Othello performance perhaps photograph play politics practice production Queen remember representation represented role says scene seems sexual Shakespeare shot space speaking spectators speech stage story tells theatre theatrical things Troilus and Cressida trope turns University Press whore woman women writes
Referències a aquest llibre
Staging Gender in Behn and Centlivre: Women's Comedy and the Theatre Nancy Eileen Copeland Previsualització no disponible - 2004 |