The Varieties of Comedy: A Study of the Dramatic Comedies of Molière, Jonson and Shakespeare

abandon ability acceptance achieve agent Alceste appear Arden assumptions attitude audience awareness becomes behavior Brainworm causes characters comedy comic action comic vision comic world conclusion consequences conventional course create critical demands desires disguise dream Duke effect essential expose exposure Face fact Fair feelings figure finally flexibility folly fool force freedom gain goal gratification human ideal important individual initiate institutions irrational Jaques Jonson's kind laughter lead lovers madness man's manipulate marriage marry master Molière Molière's Mosca nature observed offers Olivia Orlando permits person play pleasure position possible presented problem produce provides Quarlous rational reality reason reflect rejection relationship release represents requires response restrictions result reveals rewards rigidity roles Rosalind sense Shakespeare's simply situation social order society spirit success takes Theseus tion understanding Viola Volpone women young