Caf. Calphurnia,- 9 Caf. Stand you directly in Antonius' way, When he doth run his courfe.Antonius. Ant. Cæfar, my lord. Caf. Forget not, in your fpeed, Antonius, To touch Calphurnia: for our elders fay, The barren, touched in this holy chafe, Shake off their fteril curfe. Ant. I fhall remember: When Cæfar fays, Do this, it is perform'd. Caf. Ha! Who calls? Cafca. Bid every noise be still :-Peace yet again. Caf. Who is it in the prefs, that calls on me? I hear a tongue, fhriller than all the mufick, Cry, Cæfar Speak; Cæfar is turn'd to hear, Sooth. Beware the ides of March. Caf. What man is that? Bru. A foothfayer, bids you beware the ides of March. Caf. Set him before me, let me see his face, 66 Jungitur his Decimus, notiffimus inter amicos 26 "Ante alios Decimus, cui fallere, nomen amici STEEVENS. Shakespeare's mistake of Decius for Decimus, arofe from the old tranflation of Plutarch. FARMER. Lord Sterline has committed the fame mistake in his Julius Cafar. MALOne. 9 in Antonius? way.] The old copy generally reads Antonio, Octavio, Flavio. The players were more accustomed to Italian than Roman terminations, on account of the many verfons from Italian novels, and the many Italian characters in dramatic pieces formed on the fame originals. STEEVENS, Caf 9 Caf. Fellow, come from the throng: Look upon Cæfar. Caf. What fay'ft thou to me now? Speak once again. Sooth. Beware the ides of March. Caf. He is a dreamer; let us leave him :-pass. Caf. I pray you, do, Bru. I am not gamefome; I do lack fome part Of that quick spirit that is in Antony. Let me not hinder, Caffius, your defires; I'll leave you. Caf. Brutus, I do observe you now of late; Bru. Caffius, 2 Sennet.] I have here inferted the word Sennet, from the original edition, that I may have an opportunity of retracting a hafty conjecture in one of the marginal directions in Henry VIII. Sennet appears to be a particular tune or mode of martial mufick. JOHNSON. I have been informed that fennet is derived from fennefie, an antiquated French tune formerly used in the army; but the Dictionaries which I have confulted exhibit no fuch word. In Decker's Satiromaftix, 1602: "Trumpets found a flourish, and then a fennet.' In the Dumb Show preceding the first part of Hieronimo, 1605, is "Sound a fignate and pafs over the stage." In Antonio's Revenge, 1602: Cornets found a cynet.” In a play called Alarum for London, &c. 1602: " A fignet founded." Sennet may be a corruption from fonata, Ital. STEEVENs. ftrange a band] Strange, is alien, unfamiliar, fuch as might become a stranger. JOHNSON, Be Be not deceiv'd: If I have veil'd my look, 3 Of late, with paffions of fome difference, Which give fome foil, perhaps, to my behaviours; Than that poor Brutus, with himself at war, Caf. Then, Brutus, I have much mistook your paffion; By means whereof, this breast of mine hath bury'd And it is very much lamented, Brutus, That you have no fuch mirrors, as will turn That you might fee your fhadow. I have heard, 3 paffions of fome difference,] With a fluctuation of difcordant opinions and defires. JOHNSON. So, in Coriolanus, act V. fc. iii 66 : -thou haft fet thy mercy and thy honour "At difference in thee." STEEVENS. The eye fees not itself.] So, fir John Davies in his poem on The Immortality of the Soul: Is it because the mind is like the eye, Through which it gathers knowledge by degrees; Again, in Marston's comedy of the Fawne, 1606: "The eye fees all things but its proper felf." STEEVENS. And And groaning underneath this age's yoke, Caf. Therefore, good Brutus, be prepar'd to hear: That of yourself which yet you know not of. 2 To stale with ordinary oaths my love To every new protester; if you know That I do fawn on men, and hug them hard, To all the rout, then hold me dangerous. [Flourish, and fhout. Bru, What means this fhouting? I do fear, the people Choose Cæfar for their king, Caf. Ay, do you fear it? Then must I think you would not have it fo. 5 To ftale with ordinary oaths my love, &c.] To invite every new protefter to my affection by the ftale or allurement of cuftomary oaths. JOHNSON. • And I will look on both indifferently;] Dr. Warburton has a long note on this occafion, which is very trifling. When Brutus first names honour and death, he calmly declares them indifferent; but as the image kindles in his mind, he fets honour above life. Is not this natural? JOHNSON. For, For, let the gods fo fpeed me, as I love Caf. I know that virtue to be in you, Brutus, I was born free as Cæfar; fo were you : And bade him follow: fo, indeed, he did. I, as Æneas, our great ancestor, Did from the flames of Troy upon his fhoulder Did I the tired Cæfar: And this man Is now become a god; and Caffius is A wretched creature, and muft bend his body, 7 But ere we could arrive the point propos'd,] The verb arrive is ufed, without the prepofition at, by Milton in the fecond book of Paradife Loft, as well as by Shakespeare in the Third Part of K. Henry VI. act V. fc. iii: 66 thofe powers that the queen Hath rais'd in Gallia, have arriv'd our coast.” STEEVENS. He |