The Modes of Ancient Greek Music

accent according ancient answer appears Aristides Aristotle Aristoxenus called character Chromatic compass consisting determine Diatonic distinction division Dorian earlier elements employed Enharmonic ethos evidence expressed fact flute follows Fourth fragment genus given gives Greek music harmonia Heraclides higher hymn Hypatê Hypatôn Hypo-dorian Hypo-lydian Hypo-phrygian important intervals Ionian kata key-note keys kind known language later least Lichanos Listen lower lowest Lydian lyre mean Meib melody Mesê Minor Mixo-lydian modes musicians natural Nêtê notation notes notice observed octave original Parhypatê particular passage Perfect System period Phrygian pitch Plato practical probable Problems Ptolemy question quoted recognised reference regard relation represented scale scheme semitone sense seven speaking species standard succession suppose syllable takes tên term tês tetrachord theory third tôn tone tonos varieties voice Westphal writers