The Art of Elocution as an Essential Part of Rhetoric: With Instructions in Gesture and an Appendix of Oratorical, Poetical, and Dramatic ExtractsS. Low, 1867 - 423 pàgines |
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Pàgina 6
... inflection and emphasis , or in the difference between one species of emphasis and another . I reply to him , that a ... inflection and that , to make antithetical inflections and emphasis on words having apposition of meaning , is such ...
... inflection and emphasis , or in the difference between one species of emphasis and another . I reply to him , that a ... inflection and that , to make antithetical inflections and emphasis on words having apposition of meaning , is such ...
Pàgina 7
... inflection , or emphasis , stated that " His name was Norval on the Grampian hills , ” — leaving the hearer to imagine that in the lowlands he went under another cognomen . The right reverend Doctor proceeds to say , that such a system ...
... inflection , or emphasis , stated that " His name was Norval on the Grampian hills , ” — leaving the hearer to imagine that in the lowlands he went under another cognomen . The right reverend Doctor proceeds to say , that such a system ...
Pàgina 9
... inflection , and ex- pression , suited to every condition of sense , every style of composition , every variety of feeling , every vicissi- tude of passion and the Elocutionist who is tho- roughly master of his art , no more fixes his ...
... inflection , and ex- pression , suited to every condition of sense , every style of composition , every variety of feeling , every vicissi- tude of passion and the Elocutionist who is tho- roughly master of his art , no more fixes his ...
Pàgina 55
... inflections and varia- tions - teach us to invest the language of others , or our own pre - meditated and pre - written effusions , with the same variations of voice , inflection , and tone , as we should use , were they the spontaneous ...
... inflections and varia- tions - teach us to invest the language of others , or our own pre - meditated and pre - written effusions , with the same variations of voice , inflection , and tone , as we should use , were they the spontaneous ...
Pàgina 56
... INFLECTION 1 3. EMPHASIS . 1. PAUSE . RHETORICAL PAUSES . The grammatical pauses which are addressed to the eye of the reader are insufficient for the speaker ; who addresses himself to the under- He standing " through the porches of ...
... INFLECTION 1 3. EMPHASIS . 1. PAUSE . RHETORICAL PAUSES . The grammatical pauses which are addressed to the eye of the reader are insufficient for the speaker ; who addresses himself to the under- He standing " through the porches of ...
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The Art of Elocution as an Essential Part of Rhetoric George Vandenhoff Previsualització no disponible - 2019 |
The Art of Elocution as an Essential Part of Rhetoric George Vandenhoff Previsualització no disponible - 2019 |
Frases i termes més freqüents
answer appear arms articulation bear beauty Brutus Cæsar called character close common compound dark death deep delivery distinct earth effect Elements Elocution emphasis EXAMPLES exercise expression eyes falling feeling force give grace hand happy head heart honour hope human idea inflection judge king language learned less light live look lord manner marked meaning middle mind nature never object observed passage passion pause peace perfect phrase pitch practice present principles proper question reason requires rest Rhetoric Rich rising inflection rules sense sentence short simple soul sound speak speaker speech spirit style syllables thee things thou thought tion tone tonic true truth utterance verse voice vulgar whole young
Passatges populars
Pàgina 389 - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them. To die: to sleep; No more; and, by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to; 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause.
Pàgina 344 - Caesar carelessly but nod on him. He had a fever when he was in Spain, And when the fit was on him, I did mark How he did shake...
Pàgina 395 - It blesseth him that gives, and him that takes ; 'Tis mightiest in the mightiest: it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
Pàgina 341 - Thou art the ruins of the noblest man That ever lived in the tide of times. Woe to the hand that shed this costly blood! Over thy wounds now do I prophesy — Which, like dumb mouths, do ope their ruby lips, To beg the voice and utterance of my tongue — A curse shall light upon the limbs of men ; Domestic fury and fierce civil strife Shall cumber all the parts of Italy...
Pàgina 310 - Hark! they whisper; Angels say, Sister Spirit, come away. What is this absorbs me quite? Steals my senses, shuts my sight, Drowns my spirits, draws my breath? Tell me, my Soul, can this be Death?
Pàgina 355 - Brutus hath rived my heart : A friend should bear his friend's infirmities, But Brutus makes mine greater than they are. Bru. I do not, till you practise them on me. Cas. You love me not. Bru. I do not like your faults. Cas. A friendly eye could never see such faults. Bru. A flatterer's would not, though they do appear As huge as high Olympus.
Pàgina 346 - Signior Antonio, many a time and oft In the Rialto you have rated me About my monies, and my usances : Still have I borne it with a patient shrug ; For sufferance is the badge of all our tribe...
Pàgina 358 - Who, you all know, are honourable men. I will not do them wrong; I rather choose To wrong the dead, to wrong myself and you, Than I will wrong such honourable men.
Pàgina 359 - O, now you weep, and I perceive you feel The dint of pity; these are gracious drops. Kind souls, what! weep you when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.
Pàgina 353 - Julius bleed for justice' sake ? What villain touched his body, that did stab, And not for justice ? What, shall one of us, That struck the foremost man of all this world, But for supporting robbers, shall we now Contaminate our fingers with base bribes, And sell the mighty space of our large honours For so much trash as may be grasped thus ? I had rather be a dog, and bay the moon, Than such a Roman.