The Loves of Shakespeare's WomenNick Hern Books, 2001 - 112 pàgines Here are the famous speeches from Juliet--"Come, night! Come, Romeo!"--and from Portia--"The quality of mercy..."--but also less familiar ones from Viola, Hermia, Isabella and Cressida. These younger characters make up the first half of the book, while the second half is devoted to maturer women like Lady Macbeth--"How tender 'tis to love the babe that milks me"--Gertrude, Mistress Quickly, Cleopatra and Queen Katherine. |
Des de l'interior del llibre
Resultats 1 - 4 de 4.
Pàgina 15
... Boney proved the perfect collaborator . We'd rehearse in my open - plan kitchen / sitting- room . Boney would straddle a stool in the kitchen bit , glasses perched , watch , listen , question ; jump up with an idea , turn another on its ...
... Boney proved the perfect collaborator . We'd rehearse in my open - plan kitchen / sitting- room . Boney would straddle a stool in the kitchen bit , glasses perched , watch , listen , question ; jump up with an idea , turn another on its ...
Pàgina 17
... Boney would manage the mysteries of the mini - disc system . from And the first work - in - progress happened . The room was stuffed with warm Hungarians , friends of Katalin , and just as warm friends of mine and Boney's - Ruscha , and ...
... Boney would manage the mysteries of the mini - disc system . from And the first work - in - progress happened . The room was stuffed with warm Hungarians , friends of Katalin , and just as warm friends of mine and Boney's - Ruscha , and ...
Pàgina 18
... Boney enthusiastically concurred , and two days later we moved onto the tiny but real stage with its French - garden set . There was no space for a lectern so I sat on a balustrade , and we created a modest lighting plot among the ...
... Boney enthusiastically concurred , and two days later we moved onto the tiny but real stage with its French - garden set . There was no space for a lectern so I sat on a balustrade , and we created a modest lighting plot among the ...
Pàgina 20
... Boney's . Time was short and he suggested only two or three radical changes , all of them valuable , but in such a large space some of the pieces , the characters , needed new choreography . We'd rehearse , he , me , and Feri , for a ...
... Boney's . Time was short and he suggested only two or three radical changes , all of them valuable , but in such a large space some of the pieces , the characters , needed new choreography . We'd rehearse , he , me , and Feri , for a ...
Continguts
II | 29 |
V | 33 |
VI | 35 |
VIII | 38 |
X | 40 |
XII | 48 |
XIII | 51 |
XV | 52 |
XXI | 61 |
XXII | 65 |
XXIII | 66 |
XXIV | 68 |
XXV | 70 |
XXVI | 72 |
XXVIII | 75 |
XXX | 78 |
Frases i termes més freqüents
actor Antony Beatrice beauty betray blood Boney Budapest Celia child Cleopatra Constance Coriolanus Countess of Roussillon Cressida cross-dressing crown daughter death doth Emilia epilogue false Falstaff favour Feri Festival Ford Georgian Gertrude give grief Hamlet hand hate hath heart heaven Helena Henry Hermia honour Hungarian husband Iago Imogen Isabella Juliet Katalin Katharine Keti Dolidze King La Voix Humaine Lady Macbeth Laszlo lord lover Loves of Shakespeare's Measure for Measure mercy Merry Wives Midsummer Night's Dream Mistress Quickly mother murder never night one-woman show Orlando passionate Peter O'Toole PHEBE Picasso's Women play Portia Puck rehearse Romantic love Romeo Rosalind Royal Shakespeare Company Scene Shakespeare Shakespeare's Women SONNET soul speak stage Susannah York sweet Tbilisi theatre thee thine thou art thou shalt Troilus Troilus and Cressida Viola Volumnia wanted who'd wife woman wooed work-in-progress wouldst young youth