Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 pàgines This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
Des de l'interior del llibre
Resultats 1 - 3 de 38.
Pàgina 38
... painter ; the meaning and the state of art at all times ; the evocation of the spirit of art of the times ; the sensation produced in us " ) ( Carballo Picazo , 108 ) . This citation is especially significant because in it the poet does ...
... painter ; the meaning and the state of art at all times ; the evocation of the spirit of art of the times ; the sensation produced in us " ) ( Carballo Picazo , 108 ) . This citation is especially significant because in it the poet does ...
Pàgina 67
... painter as much a poet as a painter . / Verily it is one thing and not two , since it is not possible for him to be a poet only in terms of divesting yourself of this in order to put on that . ) In his analysis of Alberti's poem " Un ...
... painter as much a poet as a painter . / Verily it is one thing and not two , since it is not possible for him to be a poet only in terms of divesting yourself of this in order to put on that . ) In his analysis of Alberti's poem " Un ...
Pàgina 83
... painter and poet , as well as conjure up a picture of what the painter and the poet are like as people . Thus , Self and Other simultaneously become one , frame one another , yet separate under our gaze as readers of the various texts ...
... painter and poet , as well as conjure up a picture of what the painter and the poet are like as people . Thus , Self and Other simultaneously become one , frame one another , yet separate under our gaze as readers of the various texts ...
Continguts
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Copyright | |
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Altres edicions - Mostra-ho tot
Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Previsualització limitada - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Previsualització no disponible - 1997 |
Frases i termes més freqüents
Alberti alien allows appear art forms art object artistic attempts becomes body chapter closing codes collection communicate concept considered continually conventions created creation creative critic cultural desire discourse ekphrasis entitled example fashion female final focus frame gaze Gimferrer hand Ibid issue language limits lines linguistic literary literature look Machado male Martín Gaite means mirror namely nature object offers once opening original painter painting patriarchal perspective photograph Picasso play poem poet poet's poetic text poetry portrait position possible presence produce question reader reading reality reference reflects regard relationship represent representation sense silence simultaneously space Spanish speak speaker story strategy subverts suggests takes Talens textual tion tradition truth turn University Press utilizes various verbal verse vision visual visual art voice woman women writing
Referències a aquest llibre
Catalan Women Writers and Artists: Revisionist Views from a Feminist Space Kathryn Everly Visualització de fragments - 2003 |