 | Sir Joshua Reynolds - 1809 - 442 pàgines
...end, of art; it is employed by the Sculptor as the language by which his ideas are presented to 6 '• the mind of the spectator. Poetry and elocution of...the thing itself; but still as a means to a higher end^—as a gradual ascent always advancing towards faultless form and perfect beauty. It may be thought... | |
 | Sir Joshua Reynolds - 1824 - 324 pàgines
...not the end, of art; it is employed by the sculptor as the language by which his ideas are presented to the mind of the spectator. Poetry and elocution...are arbitrary and conventional. The sculptor employs tbe representation of the thing itself; but still as a means to a higher end,—as a gradual ascent,... | |
 | 1828 - 512 pàgines
...not the end of art ; it is employed by the sculptor as the language by which his ideas are presented to the mind of the spectator. Poetry and elocution...advancing towards faultless form and perfect beauty." The essence of sculpture is correctness, and thus far the artist of this statue has accomplished his... | |
 | Thomas Hosmer Shepherd - 1827 - 696 pàgines
...not the end of art ; it is employed by the sculptor as the language by which his ideas are presented to the mind of the spectator. Poetry and elocution...advancing towards faultless form and perfect beauty." The essence of sculpture is correctness, and thus far the artist of this statue has accomplished his... | |
 | Thomas Curtis (of Grove house sch, Islington) - 420 pàgines
...end, of art ; it is employed by the sculptor as the language scu 700 b which his iifoos are presented to the mind of the spectator. Poetry and, elocution...every sort make use of signs, but those signs are arhitrary and conventional. The sculptor employs the representation of the thing itself; but still... | |
 | 1833 - 536 pàgines
...not the end of art ; it is employed by the sculptor as the language by which his ideas are presented to the mind of the spectator. Poetry and elocution...advancing towards faultless form and perfect beauty." The essence of sculpture is correctness, and thus far the artist of this statue has accomplished his... | |
 | William Pinnock - 1836 - 734 pàgines
...not the end of art ; it is employed by the sculptor as the language by which his ideas are presented to the mind of the spectator. Poetry, and elocution...the representation of the thing itself, but still as а means to a higherend, — as a gradual ascent, always advancing towards faultless form and perfect... | |
 | Sir Joshua Reynolds, Henry William Beechey - 1852 - 512 pàgines
...not the end of art: it is employed by the Sculptor as the language by which his ideas are presented to the mind of the spectator. Poetry and elocution...still as a means to a higher end, — as a gradual i /ascent always advancing towards faultless form and per^ feet beauty. It may be thought at the first... | |
 | 1868 - 344 pàgines
...not the end, of art; it is employed by the sculptor as thi language by which his ideas are presented to the mind of the spectator. Poetry and Elocution...signs, but those signs are arbitrary and conventional. 2. Paraphrase the following passage :—• SECTION V. 1. Select ten of the following words, and explain... | |
 | Sir Joshua Reynolds - 1887 - 330 pàgines
...not the end of art : it is employed by the Sculptor as the language by which his ideas are presented to the mind of the spectator. Poetry and elocution...are arbitrary and conventional. The sculptor employs i the representation of the thing itself; but still as a means to a higher end — as a gradual ascent,... | |
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Imitation is the means, and not the end, of art ; it is employed by the sculptor as the language by which his ideas are presented to the mind of the spectator. Poetry and elocution of every sort make use of signs, but those signs are arbitrary and conventional... 
