Of Gardens: An Essay by Francis Bacon

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CreateSpace Independent Publishing Platform, 11 de nov. 2017 - 42 pàgines
Of Gardens - An Essay by Francis Bacon. GOD almighty first planted a garden: and indeed it is the purest of human pleasures. It is the greatest refreshment of the spirits of man; without which, buildings or palaces are but gross handy-works: and a man shall ever see, that when ages grow to civility or elegancy, men come to build stately, sooner than to garden finely, as if gardening were the greater perfection. I do hold it, in the royal ordering of gardens, there ought to be gardens for all the months in the year: in which, severally, things of beauty may be then in season. For December and January, or the latter part of November, you must take such things as are green all winter; holly, ivy, bays, juniper, cypress-trees, yew, pine-apple trees, fir trees, rosemary,6 lavender, periwinkle (the white, the purple, and the blue), germander, flags, orange trees, lemon trees, and myrtles, if they be stoved, and sweet marjoram, warm set.

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Sobre l'autor (2017)

Francis Bacon was born on October 28, 1909. He was born in Dublin, Ireland, to parents of British decent but lived with his nanny, Jessie Lightfoot, for many of his formative years. Bacon began painting in his early 20s and worked only sporadically until his mid-30s. He lived between England and Ireland for many years, earning his money by becoming an interior decorator and a designer of furniture and rugs. In 1944 he created his breakthrough oil painting entitled, Three Studies for Figures at the Base of the Crucifixion. The work is said to have been competed within the timeframe of two weeks. The painting was immediately seen as a sensation and established him as an important post-war artist. Bacon himself insisted that no retrospective of his work should include anything produced prior to 1944. Bacon was plagued with chronic asthma which developed into a respiratory condition. He died of cardiac arrest on April 28, 1992. He left his entire estate to his companion, John Edwards, who then donated the contents of Bacon's studio to the Hugh Lane Gallery in Dublin.

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