The works of Samuel Johnson, Volum 6G. Offor, 1818 |
Des de l'interior del llibre
Resultats 1 - 5 de 58.
Pàgina
... kind of History , the succession of facts is not easily discovered ; and I am not without suspicion that some of Dryden's works are placed in wrong years . I have followed Langbaine , as the best authority , for his plays : and if I ...
... kind of History , the succession of facts is not easily discovered ; and I am not without suspicion that some of Dryden's works are placed in wrong years . I have followed Langbaine , as the best authority , for his plays : and if I ...
Pàgina 3
... kind , which requires no acquaintance with the living world , and therefore the time at which it was composed adds little to the wonders of Cowley's minority . In 1636 , he was removed to Cambridge * , where he continued his studies ...
... kind , which requires no acquaintance with the living world , and therefore the time at which it was composed adds little to the wonders of Cowley's minority . In 1636 , he was removed to Cambridge * , where he continued his studies ...
Pàgina 15
... kind the metaphysical poets have seldom risen . Their thoughts are often new , but seldom natural ; they are not obvious , but neither are they just ; and the rea- der , far from wondering that he missed them , wonders more frequently ...
... kind the metaphysical poets have seldom risen . Their thoughts are often new , but seldom natural ; they are not obvious , but neither are they just ; and the rea- der , far from wondering that he missed them , wonders more frequently ...
Pàgina 17
... kind of writing , which was , I believe , borrowed from Marino and his followers , had been recommended by the example of Donne , a man of very extensive and various knowledge ; and by Jonson , whose manner re- sembled that of Donne ...
... kind of writing , which was , I believe , borrowed from Marino and his followers , had been recommended by the example of Donne , a man of very extensive and various knowledge ; and by Jonson , whose manner re- sembled that of Donne ...
Pàgina 33
... kind than any other of Cowley's works . The diction shews nothing of the mould of time , and the sentiments are at no great distance from our present habitudes of thought . Real mirth must always be natural , and na- ture is uniform ...
... kind than any other of Cowley's works . The diction shews nothing of the mould of time , and the sentiments are at no great distance from our present habitudes of thought . Real mirth must always be natural , and na- ture is uniform ...
Altres edicions - Mostra-ho tot
The Works of Samuel Johnson: LL.D. A New Edition in Twelve Volumes ..., Volum 6 Samuel Johnson Visualització completa - 1823 |
Frases i termes més freqüents
Absalom and Achitophel admire Æneid afterwards appears beauties better blank verse censure character Charles Charles Dryden compositions Comus considered Cowley criticism death delight diction diligence dramatick Dryden Duke Earl easily elegance English excellence fancy faults favour friends genius Georgics heroick honour Hudibras images imagination imitation Jacob Tonson John Dryden Juvenal kind King known labour Lady language Latin learning lines lived Lord Lord Conway Lord Roscommon Milton mind nature never NIHIL numbers opinion Paradise Lost Parliament passions performance perhaps Philips Pindar play pleasure poem poet poetical poetry Pope pounds praise preface produced publick published racter reader reason remarks reputation rhyme satire says seems sentiments shew sometimes Sprat supposed thee thing thou thought tion told tragedy translation truth Tyrannick Love verses versification Virgil virtue Waller words write written wrote
Passatges populars
Pàgina 312 - From harmony, from heavenly harmony This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
Pàgina 51 - His spear, — to equal which, the tallest pine Hewn on Norwegian hills, to be the mast Of some great ammiral, were but a wand...
Pàgina 60 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer; Willing to wound and yet afraid to strike, Just hint a fault and hesitate dislike; Alike...
Pàgina 305 - And now approach'd their fleet from India, fraught With all the riches of the rising sun ; And precious sand from southern climates brought, The fatal regions where the war begun.
Pàgina 117 - We drove a-field, and both together heard What time the gray-fly winds her sultry horn, Battening our flocks with the fresh dews of night, Oft till the star that rose at evening bright Toward heaven's descent had sloped his westering wheel.
Pàgina 31 - To move, but doth if th' other do. And though it in the center sit, Yet when the .other far doth roam, It leans and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must, Like th' other foot, obliquely run: Thy firmness makes my circle just, And makes me end where I begun.
Pàgina 23 - On a round ball A workeman that hath copies by, can lay An Europe, Afrique, and an Asia, And quickly make that, which was nothing, All...
Pàgina 172 - I take my subjects' money, when I want it, without all this formality of parliament?" The bishop of Durham readily answered, "God forbid, Sir, but you should: you are the breath of our nostrils." Whereupon the King turned and said to the bishop of Winchester, "Well, my Lord, what say you?" "Sir," replied the bishop, "I have no skill to judge of parliamentary cases." The King answered, "No put-offs, my Lord; answer me presently.
Pàgina 117 - In this poem there is no nature, for there is no truth ; there is no art, for there is nothing new. Its form is that of a pastoral; easy, vulgar, and therefore disgusting ; whatever images it can supply are long ago exhausted; and its inherent improbability always forces dissatisfaction on the mind.
Pàgina 18 - What they wanted, however, of the sublime, they endeavoured to supply by hyperbole ' their amplification had no limits ; they left not only reason but fancy behind them, and produced combinations of confused magnificence that not only could not be credited, but could not be imagined.