"Scorned My Nation": A Comparison of Translations of The Merchant of Venice Into German, Hebrew, and YiddishPeter Lang, 2003 - 247 pàgines By comparing versions of Shakespeare's play in three languages, reveals changing social and political perspectives relating to Jews and stereotypes about them. The histories of the reception of "The Merchant of Venice" reveal continuing reciprocal relations among the three cultures. In Germany the center of the play shifted from Elizabethan romantic comedy to the character of the Jew, who became an important figure in a country involved in determining who was a German and who was an alien. The latter stereotype culminated in the Nazi image of the Jew. Both the Yiddish and Hebrew translations presented counter-images of the Jew, either as a moral foil to immoral Christians or in tragic or heroic opposition to antisemites. In postwar Germany the play has served as a point of departure for discussions about German-Jewish relations in general and the Holocaust in particular. |
Des de l'interior del llibre
Resultats 1 - 3 de 86.
Pàgina 14
... characters . His character is the subject of numerous studies such as Hermann Sinsheimer's Shylock , The History of a Character ; or , the Myth of the Jew , ' John Gross's Shylock : a Legend and Its Legacy , Martin Jaffe's Shylock and ...
... characters . His character is the subject of numerous studies such as Hermann Sinsheimer's Shylock , The History of a Character ; or , the Myth of the Jew , ' John Gross's Shylock : a Legend and Its Legacy , Martin Jaffe's Shylock and ...
Pàgina 49
... characters in Shakespearean drama who are often used as " comic relief . " In the secondary narrative , the subordinate characters imitate the main ones , and their story parallels , but does not affect , that of the main characters ...
... characters in Shakespearean drama who are often used as " comic relief . " In the secondary narrative , the subordinate characters imitate the main ones , and their story parallels , but does not affect , that of the main characters ...
Pàgina 82
... characters from comic ones . The second : to authenticate non - Jewish characters . As for using Daytshmerish as a standard language for the theater , it is difficult to reach a definite conclusion . Adler does not identify the good ...
... characters from comic ones . The second : to authenticate non - Jewish characters . As for using Daytshmerish as a standard language for the theater , it is difficult to reach a definite conclusion . Adler does not identify the good ...
Continguts
Introduction | 1 |
A LoveHate Relationship German Tradition | 54 |
Introverted and Extroverted Representations | 114 |
Copyright | |
No s’hi han mostrat 4 seccions
Altres edicions - Mostra-ho tot
"Scorned My Nation": A Comparison of Translations of The Merchant of Venice ... Dror Abend-David Visualització de fragments - 2003 |
Frases i termes més freqüents
actor Adler's anti-Semitism Antonio audiences Aviv Avraham Berkowitz Berlin Bovshover Bovshover's Cabala character of Shylock Christian critics culture Daughter Daytshmerish Deutsch Diaspora Jew director discussion drama English Friedrich Ludwig Schröder German translations Ghetto Habima Habima Theater Halkin Hebrew Holocaust Ibid interpretation Israel Israeli Israeli Jews Jacob Adler Jew of Venice Jewish identity Jews and non-Jews Joseph Judaism Juden Kaufmann von Venedig language Leonard Prager Maurice Schwartz Merchant of Venice messianic moral Morevski Nazi non-Jewish novel Palestinian performance political popular presented production published Rabbi reception relations between Jews religious rendering revenge role of Shylock Roth scene Schildkraut Schlegel Schönfeld Schröder secular Shakespeare's plays Shakespearean translation Shylock's character Shylock's speech significance Simon Halkin Sobol's social spiritual stage theatrical tradition University Vienna Walter Mehring William Shakespeare writes Yiddish Art Theater Yiddish theater Yiddish translations YIVO York Yossi Yossi Sarid Zadek Zahav's Zionist Zukofsky דער