"Scorned My Nation": A Comparison of Translations of The Merchant of Venice Into German, Hebrew, and YiddishPeter Lang, 2003 - 247 pàgines By comparing versions of Shakespeare's play in three languages, reveals changing social and political perspectives relating to Jews and stereotypes about them. The histories of the reception of "The Merchant of Venice" reveal continuing reciprocal relations among the three cultures. In Germany the center of the play shifted from Elizabethan romantic comedy to the character of the Jew, who became an important figure in a country involved in determining who was a German and who was an alien. The latter stereotype culminated in the Nazi image of the Jew. Both the Yiddish and Hebrew translations presented counter-images of the Jew, either as a moral foil to immoral Christians or in tragic or heroic opposition to antisemites. In postwar Germany the play has served as a point of departure for discussions about German-Jewish relations in general and the Holocaust in particular. |
Des de l'interior del llibre
Resultats 1 - 3 de 83.
Pàgina 34
... century is also marked by Shakespearean commentary and performances . The first half of the nineteenth century is marked by a multitude of translations , featuring complete series of Shakespeare's work , by Voß ( 1818–29 ) , Ortlepp ...
... century is also marked by Shakespearean commentary and performances . The first half of the nineteenth century is marked by a multitude of translations , featuring complete series of Shakespeare's work , by Voß ( 1818–29 ) , Ortlepp ...
Pàgina 55
... century , the myth of its having such effects is of enormous consequence . In two recent articles , Christa Jansohn and Kenneth E. Larson explore some of the commercial aspects of Shakespearean translation in Germany during the first ...
... century , the myth of its having such effects is of enormous consequence . In two recent articles , Christa Jansohn and Kenneth E. Larson explore some of the commercial aspects of Shakespearean translation in Germany during the first ...
Pàgina 118
... century that expanded the boundaries of Jewish life in Europe , the presentation of the play by Jews in the beginning of the twentieth century was used to define Jewish identity at a time in which Jews again transcended geographical ...
... century that expanded the boundaries of Jewish life in Europe , the presentation of the play by Jews in the beginning of the twentieth century was used to define Jewish identity at a time in which Jews again transcended geographical ...
Continguts
Introduction | 1 |
A LoveHate Relationship German Tradition | 54 |
Introverted and Extroverted Representations | 114 |
Copyright | |
No s’hi han mostrat 4 seccions
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"Scorned My Nation": A Comparison of Translations of The Merchant of Venice ... Dror Abend-David Visualització de fragments - 2003 |
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actor Adler's anti-Semitism Antonio audiences Aviv Avraham Berkowitz Berlin Bovshover Bovshover's Cabala character of Shylock Christian critics culture Daughter Daytshmerish Deutsch Diaspora Jew director discussion drama English Friedrich Ludwig Schröder German translations Ghetto Habima Habima Theater Halkin Hebrew Holocaust Ibid interpretation Israel Israeli Israeli Jews Jacob Adler Jew of Venice Jewish identity Jews and non-Jews Joseph Judaism Juden Kaufmann von Venedig language Leonard Prager Maurice Schwartz Merchant of Venice messianic moral Morevski Nazi non-Jewish novel Palestinian performance political popular presented production published Rabbi reception relations between Jews religious rendering revenge role of Shylock Roth scene Schildkraut Schlegel Schönfeld Schröder secular Shakespeare's plays Shakespearean translation Shylock's character Shylock's speech significance Simon Halkin Sobol's social spiritual stage theatrical tradition University Vienna Walter Mehring William Shakespeare writes Yiddish Art Theater Yiddish theater Yiddish translations YIVO York Yossi Yossi Sarid Zadek Zahav's Zionist Zukofsky דער