"Scorned My Nation": A Comparison of Translations of The Merchant of Venice Into German, Hebrew, and YiddishPeter Lang, 2003 - 247 pàgines By comparing versions of Shakespeare's play in three languages, reveals changing social and political perspectives relating to Jews and stereotypes about them. The histories of the reception of "The Merchant of Venice" reveal continuing reciprocal relations among the three cultures. In Germany the center of the play shifted from Elizabethan romantic comedy to the character of the Jew, who became an important figure in a country involved in determining who was a German and who was an alien. The latter stereotype culminated in the Nazi image of the Jew. Both the Yiddish and Hebrew translations presented counter-images of the Jew, either as a moral foil to immoral Christians or in tragic or heroic opposition to antisemites. In postwar Germany the play has served as a point of departure for discussions about German-Jewish relations in general and the Holocaust in particular. |
Des de l'interior del llibre
Resultats 1 - 3 de 18.
Pàgina 83
... Daytshmerish . Katz writes shortly after Adler's 1903 performance on the English - American stage . Since the part of Shylock in the playscript does not include a strong German element , the Yiddish that was heard onstage could not be ...
... Daytshmerish . Katz writes shortly after Adler's 1903 performance on the English - American stage . Since the part of Shylock in the playscript does not include a strong German element , the Yiddish that was heard onstage could not be ...
Pàgina 106
... Daytshmerish is a term used in reference to Yiddish that is heavily influenced by German . It is defined by Uriel Weinreich , in his Modern Yiddish English Dictionary , as : " Too much like German ( said of modern German words or ...
... Daytshmerish is a term used in reference to Yiddish that is heavily influenced by German . It is defined by Uriel Weinreich , in his Modern Yiddish English Dictionary , as : " Too much like German ( said of modern German words or ...
Pàgina 107
... Daytshmerish in the Yiddish theater . In Bella Mysell Yablokoff's translation of Herman Yablokoff's autobiography , 77 N ' [ Der Payatz / The Clown ] , Herman Yablokoff describes a performance in which he participated as a child in ...
... Daytshmerish in the Yiddish theater . In Bella Mysell Yablokoff's translation of Herman Yablokoff's autobiography , 77 N ' [ Der Payatz / The Clown ] , Herman Yablokoff describes a performance in which he participated as a child in ...
Continguts
Introduction | 1 |
A LoveHate Relationship German Tradition | 54 |
Introverted and Extroverted Representations | 114 |
Copyright | |
No s’hi han mostrat 4 seccions
Altres edicions - Mostra-ho tot
"Scorned My Nation": A Comparison of Translations of The Merchant of Venice ... Dror Abend-David Visualització de fragments - 2003 |
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actor Adler's anti-Semitism Antonio audiences Aviv Avraham Berkowitz Berlin Bovshover Bovshover's Cabala character of Shylock Christian critics culture Daughter Daytshmerish Deutsch Diaspora Jew director discussion drama English Friedrich Ludwig Schröder German translations Ghetto Habima Habima Theater Halkin Hebrew Holocaust Ibid interpretation Israel Israeli Israeli Jews Jacob Adler Jew of Venice Jewish identity Jews and non-Jews Joseph Judaism Juden Kaufmann von Venedig language Leonard Prager Maurice Schwartz Merchant of Venice messianic moral Morevski Nazi non-Jewish novel Palestinian performance political popular presented production published Rabbi reception relations between Jews religious rendering revenge role of Shylock Roth scene Schildkraut Schlegel Schönfeld Schröder secular Shakespeare's plays Shakespearean translation Shylock's character Shylock's speech significance Simon Halkin Sobol's social spiritual stage theatrical tradition University Vienna Walter Mehring William Shakespeare writes Yiddish Art Theater Yiddish theater Yiddish translations YIVO York Yossi Yossi Sarid Zadek Zahav's Zionist Zukofsky דער