The Story of Art - 16th EditionPhaidon Press, 1995 - 688 pàgines " The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. For the first time in many years the book has been completely redesigned. The illustrations, now in color throughout, have all been improved and reoriginated, and include six fold‐outs. The text has been revised and updated where appropriate, and a number of significant new artists have been incorporated. The bibliographies have been expanded and updated, and the maps and charts redrawn. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much‐loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur. " |
Des de l'interior del llibre
Resultats 1 - 3 de 40.
... sacred and mighty being . If we look more closely at the figure of Tlaloc we see , in fact , that his mouth is formed of two heads of rattlesnakes facing each other , with their big , poisonous fangs protruding from their jaws , and ...
... sacred in every detail . The great revolution of Greek art , the discovery of natural forms and of foreshortening , happened at the time which is altogether the most amazing period of human history . It is the time when people in the ...
... sacred scene somewhat upset the clear arrangement which had been the pride of earlier days , Ghiberti took care to remain lucid and restrained . He does not give us the idea of real space at which Donatello was aiming . He prefers to ...
Continguts
PREFACE | 11 |
STRANGE BEGINNINGS | 39 |
ART FOR ETERNITY | 55 |
Copyright | |
No s’hi han mostrat 16 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
Referències a aquest llibre
The Creative Vision: A Longitudinal Study of Problem Finding in Art Jacob W. Getzels,Mihaly Csikszentmihalyi Visualització de fragments - 1976 |
After the End of Art: Contemporary Art and the Pale of History Arthur Coleman Danto Previsualització no disponible - 1997 |