The Story of Art - 16th EditionPhaidon Press, 1995 - 688 pàgines " The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. For the first time in many years the book has been completely redesigned. The illustrations, now in color throughout, have all been improved and reoriginated, and include six fold‐outs. The text has been revised and updated where appropriate, and a number of significant new artists have been incorporated. The bibliographies have been expanded and updated, and the maps and charts redrawn. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much‐loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur. " |
Des de l'interior del llibre
Resultats 1 - 3 de 76.
... colours , to add a little here and take away there , has experienced this strange sensation of balancing forms and colours without being able to tell exactly what kind of harmony it is he is trying to achieve . We just feel a patch of ...
... colours in tubes or boxes . They had to prepare their own pigments , mostly from coloured plants and minerals . These they ground to powder between two stones - or let their apprentice grind them – and , before use , they added some ...
... colours , and no illustration , much reduced in scale , gives an adequate idea of the real appearance of a masterpiece of colour . But so much seems to be clear : the painters of the Middle Ages were no more concerned about the ' real ' ...
Continguts
PREFACE | 11 |
STRANGE BEGINNINGS | 39 |
ART FOR ETERNITY | 55 |
Copyright | |
No s’hi han mostrat 16 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
Referències a aquest llibre
The Creative Vision: A Longitudinal Study of Problem Finding in Art Jacob W. Getzels,Mihaly Csikszentmihalyi Visualització de fragments - 1976 |
After the End of Art: Contemporary Art and the Pale of History Arthur Coleman Danto Previsualització no disponible - 1997 |