The Shakespearean International Yearbook: Volume 8: Special section, European ShakespearesRoutledge, 15 de maig 2017 - 310 pàgines This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics. |
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Resultats 1 - 5 de 39.
Pàgina
... drama, seeking to expand its focus beyond Shakespeare, and beyond the French academic scene. Rui Carvalho Homem ... National Theatre in Athens in 1941. It was an attempt to boost public morale at a time when Germany was preparing to ...
... drama, seeking to expand its focus beyond Shakespeare, and beyond the French academic scene. Rui Carvalho Homem ... National Theatre in Athens in 1941. It was an attempt to boost public morale at a time when Germany was preparing to ...
Pàgina
... national identities. As, on the one hand, we continue to weigh federal, transnational European values (irenic ... theatre and theatre history, from the Komödianten of Shakespeare's own day, via nineteenth-century opera, and Shakespeare ...
... national identities. As, on the one hand, we continue to weigh federal, transnational European values (irenic ... theatre and theatre history, from the Komödianten of Shakespeare's own day, via nineteenth-century opera, and Shakespeare ...
Pàgina
... national identity, and intercultural awareness, should also be adequately valued. Herder's and Humboldt's emphases ... theatre, especially as a founder of the Students' Theatre of the University of Coimbra, which opened in 1938 with a ...
... national identity, and intercultural awareness, should also be adequately valued. Herder's and Humboldt's emphases ... theatre, especially as a founder of the Students' Theatre of the University of Coimbra, which opened in 1938 with a ...
Pàgina
... theatre of which he had been a founder thirty years before; coincidentally or not, 1968 is also the date of the last Shakespeare graduation theses on record. Both TEUC (Teatro dos Estudantes da Universidade de Coimbra), the theatre ...
... theatre of which he had been a founder thirty years before; coincidentally or not, 1968 is also the date of the last Shakespeare graduation theses on record. Both TEUC (Teatro dos Estudantes da Universidade de Coimbra), the theatre ...
Pàgina
... national versions (translations, adaptations, stage productions) in ... theatre – in maintaining people's morale during World War II is repeatedly ... drama, including Shakespeare, was successfully staged during the war years, as Andrew ...
... national versions (translations, adaptations, stage productions) in ... theatre – in maintaining people's morale during World War II is repeatedly ... drama, including Shakespeare, was successfully staged during the war years, as Andrew ...
Continguts
From the Unfamiliar to the Defamiliarised | |
Peter Brooks European Shakespeare | |
The BBC and ShakespeareReTold 2005 | |
The AntiAmericanism of EU Shakespeare | |
Shakespeare and France in the European Mirror | |
The Shakespearean Character as Evaluator | |
Renaissance Discourses and Shakespeares Plays | |
Toward a Structural Theory of Shakespeare and Romance | |
Great Miracle or Lying Wonder? JanusFaced Romance in Pericles | |
Cultural Memory in As You Like | |
Brontosaurus Bloom and the Shakespeare in us | |
Notes on Contributors | |
Index | |
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The Shakespearean International Yearbook: Volume 8: Special Section ... Graham Bradshaw,Tom Bishop Previsualització no disponible - 2020 |
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