The Shakespearean International Yearbook: Volume 8: Special section, European Shakespeares
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.
Què opinen els usuaris - Escriviu una ressenya
No hem trobat cap ressenya als llocs habituals.
Henry V and the AngloGreek Alliance in World War II
From the Unfamiliar to
Peter Brooks European
The BBC and ShakespeareReTold 2005
The AntiAmericanism of EU Shakespeare
Shakespeare and France in the European Mirror
The Shakespearean Character as Evaluator
Sexuality in Renaissance Discourses and Shakespeares Plays
Altres edicions - Mostra-ho tot
academic argues Asian Asian Shakespeares Athens audience Bevington Bloom British Brook’s Cambridge University Press Cerimon characters collaboration Comedy contemporary critical culture of links David drama Ecocriticism ecology edited Elizabethan Emerson English Ephesus essay European Shakespeare female Festival film folly fool France French gender genre Gower Greek Greenblatt Hamlet Harold Bloom Harold Bloom’s Shakespeare Henry Hoenselaars Hotspur human Ibid identity intercultural introduction Jailer’s Daughter Jaques John Jonathan Bate King Lear language literary Literature London Macbeth madness Marina’s Michael Midsummer Night’s Dream miracle narrative National Theatre nature Noble Kinsmen Norton Ophelia Oxford University Press Penguin performance Pericles play’s playwright political popular present production Quintela reading relocation Renaissance Richard Richard III role Routledge scene scholars sexuality Shakespeare in Europe Shakespeare Quarterly ShakespeaRe-Told Shakespeare’s plays Shakespearean romance shipwreck social stage Studies theatrical Thomas Titus Andronicus tradition Tragedy trans translation University of Coimbra William Shakespeare Winter’s Tale women York