PERSONS REPRESENTED.. TIMON, a noble Athenian. LUCIUS, LUCULLUS, SEMPRONIUS, lords, and flatterers of Timon. VENTIDIUS, one of Timon's false friends. APEMANTUS, a churlish philosopher. Alcibiades, an Athenian general. FLAVIUS, steward to Timon. Two Servants of Varro, and the Servant of Isidore; two of Timon's creditors. CUPID and Maskers. Three Strangers. Poet, Painter, Jeweller and Merchant. An old ATHENIAN. A Page. A Fool. Other Lords, Senators, Officers, Soldiers, Thieves, and Attendants. SCENE, Athens; and the Woods adjoining. TIMON OF ATHENS. ACT THE FIRST. SCENE I. Athens. A Hall in Timon's House. Enter Poet, Painter, Jeweller, Merchant, and others at several Doors. Poet. Good day, sir. Pain. I am glad you are well. Poet. I have not seen you long; How goes the world? Pain. It wears sir, as it grows.. Ay, that's well known : But what particular rarity? what strange, Which manifold record not matches? See, Magick of bounty! all these spirits thy power Hath conjur'd to attend. I know the merchant. Pain. I know them both; t'other's a jeweller. Mer. O, 'tis a worthy lord! Jew. Nay, that's most fix'd. Mer. A most incomparable man; breath'd', as it were, To an untirable and continuate goodness: He passes. 3 2 Continual. ■ Inured by constant practice. 3 i. e. Exceeds, goes beyond common bounds. Mer. O, pray, let's see't: For the lord Timon, sir? Jew. If he will touch the estimate: But, for thatPoet. When we for recompense have prais'd the vile, It stains the glory in that happy verse Which aptly sings the good. Mer. 'Tis a good form. [Looking at the Jewel. Jew. And rich: here is a water, look you. dication To the great lord. A thing slipp'd idly from me. Our poesy is as a gum, which oozes From whence 'tis nourished: The fire i'the flint Pain. A picture, sir.-And when comes your book forth? Poet. Upon the heels of my presentment 4, sir. Let's see your piece. 'Tis a good piece. Poet. So 'tis: this comes off well and excellent. Pain. Indifferent. Poet. Admirable: How this grace Speaks his own standing! what a mental power Moves in this lip! to the dumbness of the gesture One might interpret. Pain. It is a pretty mocking of the life. Here is a touch; Is't good? Poet. I'll say of it, It tutors nature: artificial strife' Lives in these touches, livelier than life. 4 As soon as my book has been presented to Timon. si. e. The contest of art with nature. Enter certain Senators, and pass over. Pain. How this lord's follow'd! Poet. You see this confluence, this great flood of visitors. I have, in this rough work, shap'd out a man, Pain. How shall I understand you? Poet. I'll unbolt to you. You see how all conditions, how all minds, terer? To Apemantus, that few things loves better Pain. I saw them speak together. Poet. Sir, I have upon a high and pleasant hill, Feign'd Fortune to be thron'd: The base o'the mount Is rank'd with all deserts, all kind of natures, To propagate their states: amongst them all, • My design does not stop at any particular character. 7 One who shows by reflection the looks of his patron. • To advance their conditions of life. |