Imatges de pàgina
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them beat the fields over like a setting-dog, often dropping down in the grass or corn. I have minuted these birds with my watch for an hour together, and have found that they return to their nest, the one or the other of them, about once in five minutes; reflecting at the same time on the adroitness that every animal is possessed of as far as regards the well-being of itself and offspring. But a piece of address which they show when they return loaded should not, I think, be passed over in silence. As they take their prey with their claws, so they carry it in their claws to their nest: but as the feet are necessary in their ascent under the tiles, they constantly perch first on the roof of the chancel, and shift the mouse from their claws to their bill, that the feet may be at liberty to take hold of the plate on the wall as they are rising under the eaves.

The

White owls seem not (but in this I am not positive) to hoot at all: all that clamorous hooting appears to me to come from the wood kinds. white owl does indeed snore and hiss in a tremendous manner; and these menaces will answer the intention of intimidating: for I have known a whole village up in arms on such an occasion, imagining the church-yard to be full of goblins and spectres. White owls also often scream horribly as they fly along; from this screaming probably arose the common people's imaginary species of screech-owl, which they superstitiously think attends the windows of dying persons. The plumage of the remiges of the wings of every

species of owl that I have yet examined is remarkably soft and pliant. Perhaps it may be necessary that the wings of these birds should not make much resistance or rushing, that they may be enabled to steal through the air unheard upon a nimble and watchful quarry.

While I am talking of owls, it may not be improper to mention what I was told by a gentleman of the county of Wilts. As they were grubbing a vast hollow pollard-ash that had been the mansion of owls for centuries, le discovered at the bottom a mass of matter that at first he could not account for. After some examination, he found that it was the congeries of the bones of mice, and perhaps of birds and bats, that had been heaping together for ages, being cast up in pellets out of the crops of many generations of inhabitants. For owls cast up the bones, fur, and feathers of what they devour, after the manner of hawks. He believes, he told me, that there were bushels of this kind of substance.

When brown owls hoot their throats swell as big as a hen's egg. I have known an owl of this species live a full year without any water. Perhaps the case may be the same with all birds of prey. When owls fly they stretch out their legs behind them as a balance to their large heavy heads: for, as most nocturnal birds have large eyes and ears they must have large heads to contain them. Large eyes, I presume, are necessary to collect every ray of light, and large concave ears to command the smallest degree of sound or noise.

Gilbert White. (Selborne, July 8th 1773.)

XLII.

KUBLA KHAN.

IN Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.

So twice five miles of fertile ground

With walls and towers were girdled round:

And there were gardens bright with sinuous rills
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!

And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail :
And mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war!

The shadow of the dome of pleasure
Floated midway on the waves;

Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,

A sunny pleasure-dome with caves of ice!
A damsel with a dulcimer

In a vision once I saw :

It was an Abyssinian maid,

And on her dulcimer she played,

Singing of Mount Abora.

Could I revive within me

Her symphony and song,

To such a deep delight 'twould win me,

That with music loud and long

I would build that dome in air,

That sunny dome! those caves of ice!
And all who heard should see them there,

And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

S. T. Coleridge.

XLIII.

AT KING MTESA'S COURT.*

THE people of Uganda appear in many respects to be in advance of most of the African tribes. For one thing, they consider it indecent not to be properly dressed; so there was some little truth in the account Rumanika gave of them.

The king's palace was a very pretty sight. It consisted of a number of gigantic huts covering the side of a hill. The huts were built of a strong grass which grows ten or twelve feet high; they were beautifully thatched, and fenced round with strong walls made of tiger grass.

In great state Speke marched to the palace for his first interview with the king, Mtésa. The Union Jack, carried by the guide, led the way, followed by twelve men dressed in scarlet flannel cloaks, who acted as a guard of honour to Speke. The rest of the men came after, each one carrying some article as a present for the king. As this grand procession passed, the courtiers, in raptures of astonishment, clasped their heads between their hands, and cried, "Irungi! irungi!"—(Beautiful! beautiful!)

These courtiers wore neat coats made of bark, and patchwork upper cloaks made of antelopeskin, beautifully sewn together; while on their heads they had turbans, ornamented with polished

* By kind permission of the Religious Tract Society.

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