Of such a misery doth she cut me off. I'll pay it instantly with all my heart. DISCONTENT,-UNEASINESS. ORLANDO DISCONTENTED WITH HIS BROTHER. As I remember, Adam, it was upon this fashion bequeath'd me :-By will, but a poor thousand crowns; and as thou say'st, charged my brother, on his blessing, to breed me well; and there begins my sadness. My brother Jacques he keeps at school, and report speaks goldenly of his profit; for my part, he keeps me rustically at home, or to speak more properly, stays me here at home unkept: for call you that keeping for a gentleman of my birth, that differs not from the stalling of an ox? His horses are bred better; for, besides that they are fair with their feeding, they are taught their manage, and to that end riders dearly hired; but I, his brother, gain nothing under him but growth; for the which his animals on his dunghills are as much bound to him as I. Besides, this nothing that he so plentifully gives me, the something that nature gave me, his countenance seems to take from me: he lets me feed with his hinds, bars me the place of a brother, and, as much as in him lies, mines my gentility with my education. This is it, Adam, that grieves me; and the spirit of my father, which I think is within me, begins to mutiny against this servitude. I will no longer endure it, though yet I know no wise remedy how to avoid it. COMPLAINT. THE EVILS OF GREATNESS. O hard condition! Twin-born with greatness, Subjected to the breath of every fool, Whose sense no more can feel but his own wringing! What infinite heart's ease must kings neglect, That private men enjoy? And what have kings, that privates have not too, Save ceremony, save general ceremony? What kind of god art thou, that suffer'st more What is the soul of adoration? Art thou aught else but place, degree, and form, Wherein thou art less happy, being fear'd, What drink'st thou oft, instead of homage sweet, And bid thy ceremony give thee cure ? Will it give place to flexure and low bending? Can'st thou, when thou command'st the beggar's knee, Can sleep so soundly as the wretched slave; Gets him to rest, cramm'd with distressful bread; Winding up days with toil, and nights with sleep, The slave, a member of the country's peace, What watch the king keeps to maintain the peace, COMPLAINT OF SLAVERY. O for a lodge in some vast wilderness, Might never reach me more. My ear is pain'd, Of wrong and outrage, with which earth is filled. It does not feel for man; the natural bond Not colour'd like his own; and having pow'r Thus man devotes his brother, and destroys; COMPLAINT, WITH BODILY PAIN. COMPLAINING, as when one is under violent bodily pain, distorts the features; almost closes the eyes; sometimes raises them wishfully; opens the mouth; gnashes with the teeth; draws up the upper lip; pulls down the head upon the breast; and the whole body together. The arms are violently bent at the elbows, and the fists strongly clenched. The voice is uttered in groans, lamentations, and violent screams. Extreme torture produces fainting and death. KING JOHN SUFFERING WITH FEVER AND POISON. This fever, that hath troubled me so long, Upon a parchment; and against this fire Poison'd,-ill fare; dead, forsook, cast off; Nor let my kingdom's rivers take their course FATIGUE-WEARINESS. FATIGUE, from severe exertion, gives a general languor to the whole body. The countenance is dejected (see Grief). The arms hang listless; the body, if sitting or lying along be not the posture, sleeps as in old age (see Dotage). The legs, if walking, are dragged along, and seem at every step ready to bend under the weight of the body. The voice is weak, and the words hardly enough articulated to be understood. Lesser degrees of this feeling require a more moderate expression, as in the following examples: RICHARD III. IN HIS TENT. 'Tis now the dead of night, And half the world is in a solemn lonely darkness hung! With all the weary courtship of my care-tir'd thoughts, Can't win her to my couch, though e'en the stars Do wink as 'twere with over-watching I'll forth, and walk a while.-(Cibber). KING HENRY IV. IN HIS LAST ILLNESS. Why rather, Sleep, liest thou in smoky cribs, And hush'd with buzzing night-flies to thy slumber; And lull'd with sounds of sweetest melody? Wilt thou upon the high and giddy mast Curling their monstrous heads, and hanging them COMFORTING.-EXHORTING. COMFORTING requires a kind and soothing accent of voice. The action gentle and tender, and the whole manner correspondent. ORLANDO COMFORTING ADAM. Why, how now, Adam! no greater heart in thee? Live a little; comfort a little; cheer thyself a little; if this uncouth forest yield any thing savage, I will either be food for it, or bring it for food to thee. Thy conceit is nearer death than thy powers. For my sake, be comfortable; hold death awhile at the arm's-end; I will here be with thee presently; and if I bring thee not something to eat, I'll give thee leave to die; but if thou diest before I come, thou art a mocker of my labour! Well said! thou look'st cheerly; and I'll be with thee quickly. Yet thou liest in the bleak air; come, I will bear thee to some shelter; and thou shalt not die for lack of a dinner, if there live any thing in this desert. Cheerly, good Adam. EXHORTING, as by a general at the head of his army, requires a kind complacent look; unless matter of offence has passed, as neglect of duty, or the like. EDWARD, THE BLACK PRINCE TO HIS SOLDIERS. COUNTRYMEN, We're here assembled for the toughest fight Ye all resolve the same. View all yon glitt'ring grandeur as your spoils, Strain ev'ry faculty, and let your minds, Your hopes, your ardours, reach their utmost bounds, Follow your standards with a fearless spirit; Follow the great examples of your sires; |