Norv. Allaying both their fury, and my passion LADY RANDOLPH ON DISCOVERING DOUGLAS. HOPE brightens the countenance, arches the eyebrows; gives the eyes an eager wishful look; opens the mouth to half a smile; bends the body a little forward; the feet equal; spreads the arms with the hands open, as to receive the object of its longings. The tone of the voice is eager and uneven, inclining to that of joy; but curbed by a degree of doubt and anxiety. PERSONIFICATOIN OF HOPE. But thou, O Hope, with eyes so fair, Still it whisper'd promis'd pleasure, And bade the lovely scenes at distance hail! Still would her touch the strain prolong; And from the rocks, the woods, the vale, She call'd on Echo still, through all the song; And where her sweetest theme she chose, A soft responsive voice was heard at every close, O, Hope, sweet flatterer, whose delusive touch, INVOCATION OF HOPE. Hope, thou nurse of young Desire, Painted vapour, glow-worm, fire, DESIRE, (which is Hope strongly excited) differs chiefly from it in the latter particular, as to expression, there being more the appearance of doubt and anxiety in Hope than Desire. Desire most generally expresses itself by bending the body forward, and stretching the arms towards the object, as to grasp it, The countenance smiling, but eager and wishful; the eye wide open, and the eyebrows raised; the mouth open, tone of voice suppliant, but lively and cheerful unless there be distress as well as desire the expressions fluent and copious; if no words are used, sighs instead of them; but this is chiefly in distress. JULIET IN EXPECTATION OF ROMEO. Spread thy close curtain love-performing night, That runaway's eyes may wink; and Romeo Leap to these arms, untalk'd of, and unseen; Come, night! Come, Romeo! Come thou day in night! For thou wilt lie upon the wings of night, Whiter than new snow on a raven's back. -Give me my Romeo ; and when he shall die, Take him, and cut him out in little stars, And may not wear them. O, here comes my nurse. DESPAIR. DESPAIR, as in a condemned criminal, or one who has lost all hope of salvation, bends the eyebrows downwards; clouds the forehead; rolls the eyes frightfully around; opens the mouth towards the ears; bites the lips; widens the nostrils; gnashes with the teeth, like a fierce wild beast; The heart is too much hardened to suffer tears to flow, yet the eyes will be red and inflamed, like those of an animal in a rabid state. The head is hung down upon the breast. The arms are bounded at the elbows, the fists are clenched hard; and the whole body strained, and violently agitated; groans, expressive of inward torture more frequently uttered than words. If any words, they are few, and expressed with a sullen eager bitterness; the tone of voice often loud and furious. As Despair often drives people to distraction, and self-murder, it can hardly be overacted by one who would represent it properly. K. Hen. PERSONIFICATION OF DESPAIR. 'Twas sad by fits, by starts 'twas wild. CARDINAL BEAUFORT ON HIS DEATH-BED. K. Hen. So thou will let me live, and feel no pain. When death's approach is seen so terrible! Died he not in his bed? Where should he die? him. I'll give a thousand pound to look upon Comb down his hair look! look! it stands upright, K. Hen. O thou eternal Mover of the heavens, Look with a gentle eye upon this wretch! PART OF SATAN'S SOLILOQUY. -Be then his love accurs'd, since love or hate, Nay, curs't be thou! since against his, thy will Chose freely what it now so justly rues, Pain-seeking Jealousy feels doubtful rage, Sad in the face-the hearts felt softness reigns While each tug'd sinew angry vengeance strains. JEALOUSY, is a ferment of love, hatred, hope, fear, shame, anxiety, suspicion, grief, pity, envy, pride, rage, cruelty, vengeance, madness; and if these be such, of all others which can agitate the human mind, therefore to express Jealousy well, it is required that one should know how to represent justly, all those passions by turns. For this reason, we have placed it at the conclusion of these exercises on the passions, that the pupil having had a previous idea of expressing all the rest, might be the better able to express this with effect; and we refer him separately to the others, to refresh his memory. See Love, Hatred, &c. Jealousy shews itself by restlessness, peevishness, thoughtfulness, anxiety; absence of mind. Sometimes it bursts out in piteous complaint, and weeping; then a gleam of hope, that all is yet well, lights up the countenance into a momentary smile. Immediately the face, clouded with a sudden gloom, shews the mind overcast again with horrid suspicions, and frightful imaginations. Then the arms are folded upon the breast; the fists violently clenched: the rolling bloodshot eyes, dart fury. He hurries to and fro, he has no more rest than a ship in troubled sea, the sport of winds and waves. Again, he composes himself to R rest a little, to reflect on the charms of the suspected object. She appears to his imagination, like the sweetness of the rising morn. Then his monster-breeding fancy represents her, as false as she is fair. Then he roars out like one on a rack; throws himself on the ground, and beats his head against the floor or pavement. Then he springs up, and with the look and action of a fury, snatches the instrument of death, after destroying the loved, suspected, hated, lamented, fair one, he stabs himself to the heart, and falls, a horrible picture of the excess of the passions. PERSONIFICATION OF JEALOUSY. Thy numbers, Jealousy, to nought were fixed; Of different themes the veering song was mix'd; Ye amaranths! ye roses, like the morn! Sweet myrtles, and ye golden orange groves! Are ye not blasted as I enter in; Joy-giving, love-inspiring, holy bower! The day's uncommon heat has overcome her, But see, she smiles! I never shall smile more. It strongly tempts me to a parting kiss. Ha! smile again? She dreams of him she loves. Curse on her charms! I'll stab her through them all. LEONTES ON HERMOINE'S SUPPOSED UNFAITHFULNESS. How bless'd am I In my just censure! In my true opinion!— The abhor'd ingredient to his eye, make known OTHELLO MADE JEALOUS OF DESDEMONA. Avaunt! begone; thou hast set me on the rack Than but to know't a little. 1 |