CAEPSTOW CASTLE, from the Iron Bridge across the Wye.—This View, looking towards the West, shows part of the Town, the Castle Gate, the Citadel, CAEPSTOW CASTLE AND BRIDGE, taken from the right bank of the Wye, near the West Gate of the Castle. This View, looking Eastward, 18 CHEPSTOW CASTLE AND Town, from the Wyndcliff, showing the windings of the Wye, its junction with the Severn, and the opposite coasts............ W.H. BARTLETT. E. BRANDARD. 26, 27 Tintrrue Abbey on the Wye. STEEL ENGRAVINGS. ARTISTS. ENGRAVERS PAGS THE WESTERN WINDOW OF TINTERNE ABBEY.-This View is taken from a point near the Great Altar, showing in the foreground the clustered Pillars and Arches which formerly supported the Central Tower; the Door on the right leading to the Cloisters; Sepulchral Slabs, the Effigy of a Knight, with the much-admired Window to the West, and other features............. .............. W.H. BARTLETT. A. WI LMORE. THE REFECTORY OF THE ABBEY......................................................... W. H. BARTLETT. C. COUSEN. 39 59 62 Tue Devil's Pulpit.—This View is taken from a romantic rock so called, on the left bank of the Wye, commanding a view of the Abbey westward; the Abbot's Meadows stretching along the right bank of the Wye; the Church of Chapel-hill; the Village of Tinterne Parva lining the rim of the River Crescent.................... ........... W. H. BARTLETT. J. C. BENTLEY. The Ferry AT TINTERNE.—This Plate, taken from the left bank of the Wye, presents a North View of the Abbey, with the Western Front, the Nave, North Transept, part of the great Eastern Window, Remains of the Cloisters, the Abbey Gate communicating with the Ferry, with other Conventual Buildings now in ruins, or transformed into Cottages. The River at this point is of sufficient depth to float a moderately-sized trading craft............................................................................. W. H. BARTLETT. J. C. BENTLEY. TINTERNE ABBEY, West Front, taken from the Road leading to the “Beaufort Arms" and the Ferry, shows the much-admired West Window, in correct and beautiful detail; the Door opening into the Nave, the Southern Aisle, Buttress, Pinnacle, Clerestory Windows, &c., with their masses of luxuriant and interlacing Ivy .......... ................................... W. H. BARTLETT. A. WILLMORE. DOORWAY LEADING INTO THE CLOISTERS......... ................................................. W. H. BARTLETT. E. J. ROBERTS. 66 109 106 DOORWAY LEADING INTO THE SACRISTY......................................................... W. II. BARTLETT. E. J. ROBERTS. 113 WOODCUTS. South Transept, Tinterne Abbey........... ............... W. H. BARTLETT. W. WUMPER. 31 Cistercian Monk.. ........... DUGDALE. W. WUIMPER. 84 View from Entrance, Tinterne Abbey, taken from the Nave, showing the great Eastern Window ............ .............. W. H. BARTLETT. W. WHIMPER. 40 Initial Letters, illustrative of Baronial, Monastic, and Chivalrous Subjects..... ............... 1, 3, 13, 31 Mutilated Emgy of Earl Strongbow, or Roger Bigod........ Shields of the Clare and Bigod Families, from the Encaustic-Tile Pavement in the Abbey... 42 Walter de Clare; Armorial Ensigns of the Family.. Richard de Clare; Ancient Family Shield...... 48 Hospitium, or Guest Hall, with portions of the Refectory, and other Conventual Buildings.......... 50 Conventual Alphabet, Letter H; Abbey Gate, Procession.. 51 Inner View; Sketch of an Altar, Tomb, &c. 51 Conventual Alphabet, Letter P...................... 56 Conventual Letter 0.... 60 Abbatial Crosier, Cap, and Cushion....... 62 Letter A...... 65 Ground Plan of Tinterne Abbey... 108 Five smaller Woodcuts, illustrative of the subject. Goodrich Castle ......... 122 ARTISTS PAGS STEEL ENGRAVINGS. ments are seen through the trees ................................................. W H. BARTLETT. J. C. BENTLEY. THE PAVED STONE COURT.................................................................. W. H. BARTLETT. S. BRADSHAW. THE BARONIAL HALL, showing the great Bay Window on the right of the Dais, with the Worcester Aims overhead; the ancient Fire-place, with W worked in brick over the Arch; the Corbel-heads that supported the Roof, &c. &c.............................................................................. W.H. BARTLETT. E. J. ROBERTS. GATEWAY IN THE FOUNTAIN COUBT, with the Baronial Chapel.............. W.H. BARTLETT. E. BRANDARD. THE Moat.-This View of the Keep and adjacent Towers is universally ad mired, both for the splendour of architectural detail and the picturesque grouping of the features which it displays.............. ............. W. H. BARTLETT. C. COUSEN. Tas GATEWAY TOWERS, as described in the text, with the Moat and part of the Donjon Tower on the left........... W.H. BARTLETT. E. BRANDARD. 168 177 THE KEEP or DONJON TOWER, from the Moat; on the right are seen the Gate way Towers, and in the centre is the Keep. In front, opening upon the water, is the old sally-port; and on the right bank, partially concealed by trees, is the private walk, formerly ornamented with statues and shello work, as described in the text. The Keep is represented in the same state as when it was left by General Fairfax after the siege.................... W. H. BARTLETT. J. C. BENTLEY. VIEW FROM THE BATTLEMENTS.—This View is taken from the top of the Keep, with the Moat, the Gatehouse, the Paved Court, &c., and Landscape to the westward.................... W.H. BARTLETT. A. WILLMORE. 200 220 WOODCUTS. 122 131 136 138 146 163 160 175 178 185 Goodrich Castle.................................. Gate to Fountain Court on the left.... Windows looking S. and S.W. 194 198 213 217 222 226 227 234 ...... 239 I lanthang Abbey. . STEEL ENGRAVINGS. , and great Fast Window............. W. L. BARTLETT. W. DEEBLES. LLANTWIT ANOTY from the North-west, showing the great West Door the two are Tower the Nuve-North Aisle-the great Tower con tuating the Transepts, with fragments of the great Eastern Window..... W. H. BARTLETT. E. BRANDARD. LLANTUNY Amazy from the rising Ground dorth of the Ruins, showing the White Abtey, as it www appears, in the distance, with its surrounding WOODCUT. 253 272 Aske—Pembroke—Cardiff—Tenby. STEEL ENGRAVINGS. VOEL CANTIE AND Town, showing the river Uske and the Bridge in the fore ground-the ancient Castle on the right, with the Town under the melivity--In the back ground, the picturesque Scenery for which the banks of the Ueke are so remarkable....... ..... W. H. BARTLETT. A. WILLMOBE. PEMBROKE CANTLE from the Water, comprising the Principal Gateway--the Postern--the great Round Tower, or Donjon-the Outworks. On the left, part of the Tower; and westward, in the horizon, the remains of the ancient Nunnery... W. H. BARTLETT. J. CoUsEx. 293 PEMBROKE CANTLE--Interior of the Great Court-Gateway, Towers, and Fortifications................... W.H. BARTLETT. J. CoUsEx. 308 WOODCUTS. Round Tower of Usko Castlo-Chamber in the same--Curthose Tower in Cardiff Castle. 284, 286, 311 JVanorbeer Castle— Feath Abbey— Ridwelly Castle—Llanstephan Castle Carew Castle-targam Abbey-Appendir. STEEL ENGRAVINGS. W.H. BARTLETT. W.H. BARTLETT. ....................... ........ W. H. BARTLETT. ..................... 321 332 834 WOODCUTS. 331 335 849 |
