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hovels have been hastily thrown together-ill adapted for the health, comfort, or even convenience of human beings.

The prominent features of the abbey as seen from this point, and taken in detail are—the nave, terminating in the great west window, with its own five lancet-pointed windows rising above the trees; the north transept, part of the south, and two windows of the chancel.

Following the course of the river eastward, richly-wooded rocks are seen, closing the landscape, and commanding the minute and beautiful view of the “Vale of Tinterne,” already given as an illustration. All beyond the white sail on the stream is a scene of richly-wooded rocks on the left bank, and on the right a wide expanse of smooth and verdant meadows. The hills, immediately overlooking the abbey on the south, possess the same picturesque character as those opposite, but are enlivened by more frequent habitations, and with more traces of industry and cultivation. The ferry-house, close to the watergate, presents some features of antiquity; and stands, probably, on the old foundation of what was occupied by the abbot's Charon of the olden time. А glance at the debris, under which some of the monastic buildings here lie half buried, suggests an idea that, with due permission and encouragement, antiquaries could hardly fail to discover excellent “diggings” in these purlieus. But thus far the prying archæologist has been regarded with suspicion and distrust, and condemned to look upon the antiquities of Tinterne as treasures laid up for the benefit of future generations.

V.— Doorway leading into the Cloisters. This beautiful specimen of art is one of the very finest in the abbey. The elegance of the design is only surpassed by the elaborate taste and skill displayed in its execution. The clustered mouldings of the doorway; the wavy multifoil outline of the inner arch; the beautifully carved ornament that surrounds the whole like a riband of delicate lacework; the whole crowned with the symbolic trefoil resting on the apex of the arch, present a combination of features—all harmonizing, and all elaborately adjusted to one another-rarely to be met with even among the masterpieces of Decorated Gothic. *

Looking through this doorway, the window in the distance is that of the southern aisle, through which are seen the woods on the opposite hill; and inside the walls the ivy is seen climbing in verdant masses along the arches and pillars of the nave. Under the broken steps, where the group of figures is represented, are the remains of sepulchral stone-slabs, covering the resting-place of the old abbots, and formerly inlaid with the symbols of their holy office, as

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* In this engraving, the modern iron gate which shuts up this passage, dividing the church from the cloisters, has been intentionally omitted, as not in har:nony with the subject.

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