A Reply to an "Unsentimental Sort of Critic,": The Reviewer of "Spence's Anecdotes" in the Quarterly Review for October [i.e. July] 1820; Otherwise to a Certain Critic and Grocer, the Family of the Bowleses!!R. Cruttwell and sold by Longman, Hurst, Rees, Orme and Brown, 1820 - 43 pàgines |
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Pàgina 7
... expression you might think coarse . But I trust this language , and even the name of 66 grocer , " ( which I have used without the least disrespect to any honest man in that line of busi- ness , ) will not be thought applied ...
... expression you might think coarse . But I trust this language , and even the name of 66 grocer , " ( which I have used without the least disrespect to any honest man in that line of busi- ness , ) will not be thought applied ...
Pàgina 13
... contending with him , as writing ( MILTON uses this expression ) with my left hand ! But I adventure on this encounter unappalled . The writer says , " It had been " better , if Mr. BOWLES had declined being the [ 13 ]
... contending with him , as writing ( MILTON uses this expression ) with my left hand ! But I adventure on this encounter unappalled . The writer says , " It had been " better , if Mr. BOWLES had declined being the [ 13 ]
Pàgina 15
... expressing regret that these hasty expressions escaped him . He neither had , nor could have , any feelings of unkindness against POPE or any other man ! I would say more ; but for the abuse he has received , we could not have believed ...
... expressing regret that these hasty expressions escaped him . He neither had , nor could have , any feelings of unkindness against POPE or any other man ! I would say more ; but for the abuse he has received , we could not have believed ...
Pàgina 27
... expression , " " the design , " " the " contrast of light " and shade , " & c . " " This is too mystic , too hazy for Mr. GIL- CHRIST'S optics . But , seriously Sir , do you not not understand what is meant by the subject of a poem ...
... expression , " " the design , " " the " contrast of light " and shade , " & c . " " This is too mystic , too hazy for Mr. GIL- CHRIST'S optics . But , seriously Sir , do you not not understand what is meant by the subject of a poem ...
Pàgina 29
... expression , AS OLD AS THE HILLS ! And all that is picturesque and beautiful in external nature , which makes the descriptive poet attentive , like THOMSON , COWPER , or WORDSWORTH , to every circumstance in her wildest and most ...
... expression , AS OLD AS THE HILLS ! And all that is picturesque and beautiful in external nature , which makes the descriptive poet attentive , like THOMSON , COWPER , or WORDSWORTH , to every circumstance in her wildest and most ...
Altres edicions - Mostra-ho tot
A Reply to an Unsentimental Sort of Critic: The Reviewer of Spence's ... William Lisle Bowles Visualització completa - 1820 |
A Reply to an "Unsentimental Sort of Critic,": The Reviewer of "Spence's ... William Lisle Bowles Visualització completa - 1820 |
A Reply to an Unsentimental Sort of Critic: The Reviewer of Spence's ... William Lisle Bowles Previsualització no disponible - 2019 |
Frases i termes més freqüents
ADDISON admiral admiral's mast answer appears argument assert baize BOWLESES CAMPBELL's character of Atossa character of POPE charges cism Cockney common understanding disingenuous displays a LOFTY distinguish the SATIRIST Editor of POPE Eloisa execution expression external nature Family flippancy GIFFARD HIGHEST ORDER hypochondriacal in-door nature Invariable Principles JECT JOHNSON language Letter to CAMPBELL lofty feelings London Magazine LONGINUS Lord BYRON MARY WORTLEY MONTAGUE MILTON moral nature mountain Muggletonian nebulous necessary in self-defence OCTAVIUS GILCHRIST opinion pardon passage passions and lofty poem POPE preferred IN-DOOR POPE's character POPE's moral character Principles of Poetry printed by CURLL professed Prologue to Cato prove Quarterly Review reader regret reply Review for October Reviewer of SPENCE'S RICHARD CRUTTWELL rural Satan's spear saucy Londoner shew the narrowness sort of critic SPENCE SPENCE'S Anecdotes spleen telescope THOUSAND YEARS EXPLAINING tion UNIVERSITY OF MICHIGAN vapouring Vesuvius WALPOLE whilst writer
Passatges populars
Pàgina 22 - He scarce had ceased, when the superior fiend Was moving toward the shore ; his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views At evening from the top of Fesole Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
Pàgina 22 - His spear, — to equal which, the tallest pine Hewn on Norwegian hills, to be the mast Of some great ammiral, were but a wand...
Pàgina 25 - But his wit is not all his charm. He glows with passion in the Epistle of Eloisa, and displays a lofty feeling much above that of the satirist and the man of the world in his Prologue to Cato and his Epistle to Lord Oxford.
Pàgina 24 - Eloisa, and displays a LOFTY feeling, much ABOVE that of the SATIRIST and man of the world, in his Prologue to Cato, and his Epistle to Lord OXFORD...
Pàgina 22 - dextraque sinistrdque," and say, not only Satan's spear is compared to an "admiral's mast," but " his shield to the moon seen through a telescope !" My dear Sir, consider a little. You forget the passage; or have purposely left out more than half of its essential poetical beauty. What reason have I to complain, when you use MILTON thus ? I beseech you recollect MILTON'S image.
Pàgina 20 - The " exquisite description of artificial manners and " habits is NOT LESS characteristic of genius than " the description of simple physical appearances.
Pàgina 22 - ... might have been left out; but remark, in this image MILTON DOES NOT compare Satan's spear "with the mast of some great admiral," as you assert. The passage is, "His spear, to equal which the TALLEST PINE HEWN ON NORWEGIAN HILLS TO BE the mast Of some great ammiral, were but a wand!!" You leave out the chief, I might say the only, circumstance which reconciles the "mast" to us; and having detruncated MILTON'S image, triumphantly say, "MILTON is full of imagery derived from art!!
Pàgina 22 - dextraque sinistraqite," and say, not only Satan's spear is compared to an "admiral's mast," but "his shield to the moon seen through a telescope]" My dear Sir, consider a little. You forget the passage; or have purposely left out more than half of its essential poetical beauty. What reason have I to complain, when you use MILTON thus? I beseech you recollect MILTON'S image. "His pond'rous shield Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views AT EVENING,...
Pàgina 21 - Supposing it is, do you really think that such a comparison makes the description' of Satan's spear a whit more poetical ? I think much less so. But MILTON was not so unpoetical as you imagine, though I think his simile does not greatly add to our poetical ideas of Satan's spear ! The
Pàgina 22 - NEW LANDS, RIVERS, or MOUNTAINS, IN HER SPOTTY GLOBE.' " Who does not perceive the art of the poet in introducing, besides the telescope, as if conscious how unpoetical it was in itself, all the circumstances from NATURE, external nature, — the evening — the top of Fesole — the scenes of Valdarno — and the LANDS, MOUNTAINS, and RIVERS, in the moon's orb? It is these which make the passage poetical, and not the telescope!