Condemn'd alike to groan; Yet ah! why should they know their fate? ODE IV. TO ADVERSITY. Ζῆνα Τὸν φρονεῖν βροτοὺς ὁδώ σαντα, τῶ πάθει μαθὼν Θέντα κυρίως ἔχειν. -ÆSCHYLUS, in Agamemnone. DAUGHTER of Jove, relentless Power, Whose iron scourge and tort'ring hour, And purple tyrants vainly groan, i When first thy sire to send on earth Scared at thy frown terrific, fly Self-pleasing Folly's idle brood, And leave us leisure to be good. Light they disperse, and with them go By vain Prosperity receiv'd, To her they vow their truth, and are again believ'd. Wisdom in sable garb array'd Immers'd in rapt'rous thought profound, And Melancholy, silent maid With leaden eye, that loves the ground. Still on thy solemn steps attend : And Pity, dropping soft the sadly-pleasing tear. Oh, gently on thy suppliant's head, Not in thy Gorgon terrors clad, Nor circled with the vengeful band (As by the impious thou art seen) Despair, and fell Disease, and ghastly Poverty. Thy form benign, Oh Goddess, wear, Thy milder influence impart, Thy philosophic train be there To soften, not to wound my heart. The generous spark extinct revive, What others are to feel, and know myself a man. ODE V. THE PROGRESS OF POESY. PINDARIC. Φωνᾶντα συνετοῖσιν· ἐς Δὲ τὸ πᾶν ἐρμηνέων, χατίζει. -PINDAR. Olymp. II. I. 1. AWAKE, Eolian lyre awake, And give to rapture all thy trembling strings, A thousand rills their mazy progress take : 'Now the rich stream of music winds along Deep, majestic, smooth, and strong. Through verdant vales, and Ceres' golden reign : Now rolling down the steep amain, Headlong, impetuous, see it pour : The rocks, and nodding groves ves rebellow to the roar. C I. 2. Oh! Sovereign of the willing soul, Parent of sweet and solemn-breathing airs, Enchanting shell! the sullen Cares, And frantic Passions hear thy soft controul. On Thracia's hills the Lord of War Has curb'd the fury of his car, a When the Author first published this and the following Ode, he was advised, even by his friends, to subjoin some few explanatory notes; but he had too much respect for the understanding of his readers to take that liberty. The subject and simile, as usual with Pindar, are united. The various sources of poetry, which gives life and lustre to all it touches, are here described; its quiet majestic progress enriching every subject (otherwise dry and barren) with a pomp of diction and luxuriant harmony of numbers; and its more rapid and irresistible course, when swoln and hurried away by the conflict of tumultuous passions. • Power of harmony to calm the turbulent sallies of the soul. The thoughts are borrowed from the first Pythian of Pindar. And dropp'd his thirsty lance at thy command. Of Jove, thy magic lulls the feather'd king Quench'd in dark clouds of slumber lie The terror of his beak, and lightnings of his eye. With antic sports, and blue-eyed Pleasures, Frisking light in frolic measures ; Now pursuing, now retreating, Glance their many-twinkling feet. Slow melting strains their Queen's approach declare : Where'er she turns the Graces homage pay. O'er her warm cheek, and rising bosom, move The bloom of young Desire, and purple light of Love. e II. 1. • Man's feeble race what ills await, Labour, and Penury, the racks of Pain, Disease, and Sorrow's weeping train, And Death, sad refuge from the storms of Fate! The fond complaint, my song, disprove, And justify the laws of Jove. Say, has he giv'n in vain the heav'nly Muse? Her spectres wan, and birds of boding cry: He gives to range the dreary sky: Till down the eastern cliffs afar Hyperion's march they spy, and glitt'ring shafts of war. d Power of harmony to produce all the graces of motion in the body. • To compensate the real and imaginary ills of life, the Muse was given to mankind by the same Providence that sends the day by its cheerful presence to dispel the gloom and terrors of the night. Isles that crown th' Egean deep, They sought, oh Albion! next thy sea-encircled coast. Extensive influence of poetic genius over the remotest and most uncivilized nations: its connexion with liberty, and the virtues that naturally attend on it. [See the Erse, Norwegian, and Welch Fragments, the Lapland and American songs.] & Progress of poetry from Greece to Italy, and from Italy to England. Chaucer was not unacquainted with the writings of Dante or of Petrarch. The Earl of Surry, and Sir Thomas Wyatt had travelled in Italy, and formed their taste there; Spenser imitated the Italian writers: Milton improved on them: but this school expired soon after the Restoration, and a new one arose on the French model, which has subsisted ever since. |