Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volum 40Gale Research Company, 1984 |
Des de l'interior del llibre
Resultats 1 - 3 de 78.
Pàgina 259
... thee hold That nothing me , a something sweet to thee . Make but my name thy love , and love that still , And then thou lov'st me , for my name is Will . ( 135,136 ) The cutely boyish speaker in these sonnets ( " More than enough am I ...
... thee hold That nothing me , a something sweet to thee . Make but my name thy love , and love that still , And then thou lov'st me , for my name is Will . ( 135,136 ) The cutely boyish speaker in these sonnets ( " More than enough am I ...
Pàgina 264
... thee , Now through the grasse of Mars his field pursue thee So swift of foote , and cruell - hearted thee Among the streames that ever - moving bee . ' In three respects Horace's love lyrics must have startled , bothered , and intrigued ...
... thee , Now through the grasse of Mars his field pursue thee So swift of foote , and cruell - hearted thee Among the streames that ever - moving bee . ' In three respects Horace's love lyrics must have startled , bothered , and intrigued ...
Pàgina 303
... thee releasing ; My bonds in thee are all determinate . For how do I hold thee but by thy granting , And for that riches where is my deserving ? The cause of this fair gift in me is wanting , And so my patent back again is swerving ...
... thee releasing ; My bonds in thee are all determinate . For how do I hold thee but by thy granting , And for that riches where is my deserving ? The cause of this fair gift in me is wanting , And so my patent back again is swerving ...
Continguts
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
No s’hi han mostrat 1 seccions
Altres edicions - Mostra-ho tot
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volum 28 Visualització de fragments - 1984 |
Frases i termes més freqüents
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young