Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volum 40Gale Research Company, 1984 |
Des de l'interior del llibre
Resultats 1 - 3 de 64.
Pàgina 220
... Sonnets , see SC Volume 10 . INTRODUCTION From the eighteenth century until about 1950 , specu- lation about possible autobiographical elements in Shakespeare's sonnets was the dominant feature of commentary ... Sonnets Sonnets Introduction.
... Sonnets , see SC Volume 10 . INTRODUCTION From the eighteenth century until about 1950 , specu- lation about possible autobiographical elements in Shakespeare's sonnets was the dominant feature of commentary ... Sonnets Sonnets Introduction.
Pàgina 224
... sonnets tell a story ? Not a clear one , but the invitation for us to make up a story is clear enough . Here , like the medieval allegorists of Ovid , the silliest readers have been the wisest . What a cast the sonnets offer ! Why not ...
... sonnets tell a story ? Not a clear one , but the invitation for us to make up a story is clear enough . Here , like the medieval allegorists of Ovid , the silliest readers have been the wisest . What a cast the sonnets offer ! Why not ...
Pàgina 302
... sonnets are men- tioned by Hubler , The Sense of Shakespeare's Sonnets , p . 25 . 9 In Shakespeare's time " conceit " could mean " con- cept , conception , " but could also refer to " a witty re- mark or idea , a clever act of deception ...
... sonnets are men- tioned by Hubler , The Sense of Shakespeare's Sonnets , p . 25 . 9 In Shakespeare's time " conceit " could mean " con- cept , conception , " but could also refer to " a witty re- mark or idea , a clever act of deception ...
Continguts
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
No s’hi han mostrat 1 seccions
Altres edicions - Mostra-ho tot
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volum 28 Visualització de fragments - 1984 |
Frases i termes més freqüents
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young