Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volum 40Gale Research Company, 1984 |
Des de l'interior del llibre
Resultats 1 - 3 de 86.
Pàgina 204
... offers rich territory for historically minded criticism to explore.16 There is no doubt that loans at interest were essential , available , perilous , and feared in the last two decades of Elizabeth's reign , during which Stone ...
... offers rich territory for historically minded criticism to explore.16 There is no doubt that loans at interest were essential , available , perilous , and feared in the last two decades of Elizabeth's reign , during which Stone ...
Pàgina 206
... offers are by no means confined to money : Antonio , I am married to a wife Which is as dear to me as life itself ... offer then , -pay the bond thrice And let the Christian go . Bass . Por . Soft ! Here is the money . The Jew shall have ...
... offers are by no means confined to money : Antonio , I am married to a wife Which is as dear to me as life itself ... offer then , -pay the bond thrice And let the Christian go . Bass . Por . Soft ! Here is the money . The Jew shall have ...
Pàgina 357
... offers a better parallel ? After all , in the trial scene Bassanio seems to go even beyond Valentine . He would give up to Shy- lock not only his life but " a wife / Which is as dear to me as life itself " in order " to deliver ...
... offers a better parallel ? After all , in the trial scene Bassanio seems to go even beyond Valentine . He would give up to Shy- lock not only his life but " a wife / Which is as dear to me as life itself " in order " to deliver ...
Continguts
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
No s’hi han mostrat 1 seccions
Altres edicions - Mostra-ho tot
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volum 28 Visualització de fragments - 1984 |
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young