Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volum 40Gale Research Company, 1984 |
Des de l'interior del llibre
Resultats 1 - 3 de 86.
Pàgina 1
... means to be mascu- line or feminine , and the ambiguous ground where differentiation between the sexes blurs . Additionally , many critics have taken an interest in the historical component of gender on the Elizabethan stage , noting ...
... means to be mascu- line or feminine , and the ambiguous ground where differentiation between the sexes blurs . Additionally , many critics have taken an interest in the historical component of gender on the Elizabethan stage , noting ...
Pàgina 100
... means of more fully understanding the tragic potential of the genre , by ap- proaching it in terms of gender opposition . Does the feminine function in these plays as a means of restoring comic redemption after the devastation of ...
... means of more fully understanding the tragic potential of the genre , by ap- proaching it in terms of gender opposition . Does the feminine function in these plays as a means of restoring comic redemption after the devastation of ...
Pàgina 168
... means would grant continuance . Antonio does not blame him at all . Let me know your plan , he says , And if it stand , as you yourself still do , Within the eye of honor , be assur'd My purse , my person , my extremest means Lie all ...
... means would grant continuance . Antonio does not blame him at all . Let me know your plan , he says , And if it stand , as you yourself still do , Within the eye of honor , be assur'd My purse , my person , my extremest means Lie all ...
Continguts
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
No s’hi han mostrat 1 seccions
Altres edicions - Mostra-ho tot
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volum 28 Visualització de fragments - 1984 |
Frases i termes més freqüents
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young