Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volum 40Gale Research Company, 1984 |
Des de l'interior del llibre
Resultats 1 - 3 de 69.
Pàgina 3
... heroines are personally vulner- able , as are any of the non - villains who take up dis- guises , but they have a kind of faith - in time , in them- selves , in biology - that anchors them , making the existential plunge into the self a ...
... heroines are personally vulner- able , as are any of the non - villains who take up dis- guises , but they have a kind of faith - in time , in them- selves , in biology - that anchors them , making the existential plunge into the self a ...
Pàgina 6
... heroines of the last plays , on the other hand , represent an ideal , curative maternity . Loved by fathers , husbands , and friends till a great crisis deprives them of all three , in serene self - knowledge they survive , ulti- mately ...
... heroines of the last plays , on the other hand , represent an ideal , curative maternity . Loved by fathers , husbands , and friends till a great crisis deprives them of all three , in serene self - knowledge they survive , ulti- mately ...
Pàgina 156
... heroines in his second play to use the motif of a boy heroine in male disguise , none of them became the Lylian page of Two Gentle- men . Multiplying the cross - dressed heroine in a single work called attention to its artificiality as ...
... heroines in his second play to use the motif of a boy heroine in male disguise , none of them became the Lylian page of Two Gentle- men . Multiplying the cross - dressed heroine in a single work called attention to its artificiality as ...
Continguts
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
No s’hi han mostrat 1 seccions
Altres edicions - Mostra-ho tot
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volum 28 Visualització de fragments - 1984 |
Frases i termes més freqüents
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young