Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volum 40Gale Research Company, 1984 |
Des de l'interior del llibre
Resultats 1 - 3 de 87.
Pàgina 17
... father , marrying you " ( III.iii.206 ) , implying that Desdemona is ipso facto a practiced adulteress . And Brabantio himself sounds the same note : Look to her , Moor , if thou hast eyes to see : She has deceived her father , and may ...
... father , marrying you " ( III.iii.206 ) , implying that Desdemona is ipso facto a practiced adulteress . And Brabantio himself sounds the same note : Look to her , Moor , if thou hast eyes to see : She has deceived her father , and may ...
Pàgina 18
... father is a kind of rhetorical advantage to her slanderer : because Don John can name two men who have " had " Hero , the phrase " every man's Hero " seems to confirm , not just to in- troduce , the idea of her duplicity . And Leonato ...
... father is a kind of rhetorical advantage to her slanderer : because Don John can name two men who have " had " Hero , the phrase " every man's Hero " seems to confirm , not just to in- troduce , the idea of her duplicity . And Leonato ...
Pàgina 119
... father's house ; Launcelot's line " it is a wise father that knows his own child " certainly evokes the entire theme of father - child relationships in the play , both Shylock's blindness about Jessica and the far - sightedness of Portia's ...
... father's house ; Launcelot's line " it is a wise father that knows his own child " certainly evokes the entire theme of father - child relationships in the play , both Shylock's blindness about Jessica and the far - sightedness of Portia's ...
Continguts
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
No s’hi han mostrat 1 seccions
Altres edicions - Mostra-ho tot
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volum 28 Visualització de fragments - 1984 |
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young