Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volum 40Gale Research Company, 1984 |
Des de l'interior del llibre
Resultats 1 - 3 de 59.
Pàgina 17
... choice is the epitome of all those motions by which the universe lets us know that we are not central to its concerns . What happens in King Lear , including Cordelia's own death , all follows from Lear's perception that he does not ...
... choice is the epitome of all those motions by which the universe lets us know that we are not central to its concerns . What happens in King Lear , including Cordelia's own death , all follows from Lear's perception that he does not ...
Pàgina 19
... choice she does so more consciously than Bottom - although not necessarily more appealingly . In The Merchant of Venice , for instance , Portia spares us the choice between love and law , Belmont and Venice , stepping Bottomlike over ...
... choice she does so more consciously than Bottom - although not necessarily more appealingly . In The Merchant of Venice , for instance , Portia spares us the choice between love and law , Belmont and Venice , stepping Bottomlike over ...
Pàgina 20
... choice is heavily qualified . There are two sides to Benedick . On the one hand he is an individual male ; on the other hand he is the male half of a couple . The couple is analogous to a comic heroine : Beatrice - and - Benedick both ...
... choice is heavily qualified . There are two sides to Benedick . On the one hand he is an individual male ; on the other hand he is the male half of a couple . The couple is analogous to a comic heroine : Beatrice - and - Benedick both ...
Continguts
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
No s’hi han mostrat 1 seccions
Altres edicions - Mostra-ho tot
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volum 28 Visualització de fragments - 1984 |
Frases i termes més freqüents
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young