Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from Richard II to HamletOxford University Press, 2002 - 286 pàgines The four plays of Shakespeare's Henriad and the slightly later Hamlet brilliantly explore interconnections between political power and interior subjectivity as productions of the newly emerging constellation we call modernity. Hugh Grady argues that for Shakespeare subjectivity was a critical, negative mode of resistance to power--not, as many recent critics have asserted, its abettor. |
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Adorno aesthetic Althusser argued audience Bolingbroke Cambridge carnival celebrated central character complex concepts connection context counterfeit critical crucial cultural defined discourse discussed Dollimore dramatic dynamics E. M. W. Tillyard earlier early modern Elizabethan England English Essays Essex Falstaff fictions Fluellen Foucault France Frankfurt School French Greenblatt Hal's Hamlet Harry's Hayward's Henriad Henry IV plays heroic Horkheimer Hotspur Hugh Grady human idea identity ideology interpellation Jonathan Dollimore King Harry King Henry King Lear Lacan logic London Machia Machiavellian Machiavellian politics Machiavellian power Metadrama modern subjectivity Modernist Montaigne Montaigne's Niccolò Machiavelli Oxford play's plebeian potential Prince Hal reading reified Renaissance repr resistance Richard Richard II role Routledge scene seems sense Shakespeare studies Shakespeare's History Shakespeare's play Shakespeare's Universal Wolf Shakespearian Sir John social soliloquy Stephen Greenblatt tavern world theatrical thematic themes theory thou tradition tragedies trans Troilus and Cressida unfixed subjectivity University Press vellian William Shakespeare York
Referències a aquest llibre
Hamlet, Protestantism, and the Mourning of Contingency: Not to be John E. Curran Visualització de fragments - 2006 |
Hamlet, Protestantism, and the Mourning of Contingency: Not to be John E. Curran Previsualització no disponible - 2006 |