Shakespeare's SoliloquiesRoutledge, 15 d’abr. 2013 - 224 pàgines First published in 1987. |
Des de l'interior del llibre
Resultats 1 - 5 de 24.
Pàgina 3
... emotion, with introspection and with what Matthew Arnold called 'the dialogue of the mind with itself '.'* Most of the reference works also provide us with a definition of this sort, tracing it back to St Augustine, who is said to have ...
... emotion, with introspection and with what Matthew Arnold called 'the dialogue of the mind with itself '.'* Most of the reference works also provide us with a definition of this sort, tracing it back to St Augustine, who is said to have ...
Pàgina 5
... emotions by means of gestures, physiognomy and stage business. To quoteJ.R. Brown: 'the actors did not address the audience as if it were in another world. There was a reciprocal relationship; the audience could participate in the drama ...
... emotions by means of gestures, physiognomy and stage business. To quoteJ.R. Brown: 'the actors did not address the audience as if it were in another world. There was a reciprocal relationship; the audience could participate in the drama ...
Pàgina 8
... emotion is all the soliloquy that strict art should permit, for high emotion does in many cases manifest itself in speech'.'4 Archer's attack on the Elizabethan theatre, which he considered primitive and naive, was launched under the ...
... emotion is all the soliloquy that strict art should permit, for high emotion does in many cases manifest itself in speech'.'4 Archer's attack on the Elizabethan theatre, which he considered primitive and naive, was launched under the ...
Pàgina 10
... emotions, we look more closely at the awareness of time, at the soliloquy's commentary on past events and their evaluation. This is particularly relevant for Shakespeare. Does the soliloquy make the audience or the reader see what has ...
... emotions, we look more closely at the awareness of time, at the soliloquy's commentary on past events and their evaluation. This is particularly relevant for Shakespeare. Does the soliloquy make the audience or the reader see what has ...
Pàgina 14
... emotions. It is chiefly in the tragedies that we encounter great eruptions of spontaneous feeling, the fusion of emotion with thought, the excitingly abrupt change from poetic to colloquial language. Falstafl's ironical and witty ...
... emotions. It is chiefly in the tragedies that we encounter great eruptions of spontaneous feeling, the fusion of emotion with thought, the excitingly abrupt change from poetic to colloquial language. Falstafl's ironical and witty ...
Continguts
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
Altres edicions - Mostra-ho tot
Shakespeare's Soliloquies: The Presidential Address of the Modern Humanities ... Wolfgang Clemen Visualització de fragments - 1964 |
Frases i termes més freqüents
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words