Shakespeare's SoliloquiesRoutledge, 15 d’abr. 2013 - 224 pàgines First published in 1987. |
Des de l'interior del llibre
Resultats 1 - 5 de 27.
Pàgina ix
... convey an idea of Shakespeare's stagecraft, his exceptional theatrical judgement and his evocative use of poetic language. The extracts cover all periods and genres of his work but, due to its confined scope, this study obviously cannot ...
... convey an idea of Shakespeare's stagecraft, his exceptional theatrical judgement and his evocative use of poetic language. The extracts cover all periods and genres of his work but, due to its confined scope, this study obviously cannot ...
Pàgina 11
... convey all that is required by the content, by the ebb and flow of mind and spirit, by the character of the speaker? The answers to these questions will be far more finely differentiated than they would be if the same questions were ...
... convey all that is required by the content, by the ebb and flow of mind and spirit, by the character of the speaker? The answers to these questions will be far more finely differentiated than they would be if the same questions were ...
Pàgina 17
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Pàgina 18
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Pàgina 20
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Continguts
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
Altres edicions - Mostra-ho tot
Shakespeare's Soliloquies: The Presidential Address of the Modern Humanities ... Wolfgang Clemen Visualització de fragments - 1964 |
Frases i termes més freqüents
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words