King Lear: The 1608 Quarto and 1623 Folio TextsPenguin, 1 de febr. 2000 - 320 pàgines The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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Resultats 1 - 5 de 63.
Pàgina
... look at the scene this way, it constitutes a debate between rhetoricians and plainspeakers, and it includes a good deal of the Elizabethan distrust of the theater as well – the fear that its representations will be taken for, and will ...
... look at the scene this way, it constitutes a debate between rhetoricians and plainspeakers, and it includes a good deal of the Elizabethan distrust of the theater as well – the fear that its representations will be taken for, and will ...
Pàgina
... Look on her! Look, her lips”– and with that false hope he dies. It is important to emphasize that the exceptional bleakness of this conclusion is all Shakespeare's. In the story as he found it in every one of the sources, Cordelia's ...
... Look on her! Look, her lips”– and with that false hope he dies. It is important to emphasize that the exceptional bleakness of this conclusion is all Shakespeare's. In the story as he found it in every one of the sources, Cordelia's ...
Pàgina
... look, in print, of classical drama. In the present edition, the quarto has been supplied with act and scene numbers based on those of the folio to facilitate reference and comparison. Here is a summary of the major differences between ...
... look, in print, of classical drama. In the present edition, the quarto has been supplied with act and scene numbers based on those of the folio to facilitate reference and comparison. Here is a summary of the major differences between ...
Pàgina
... look to receive from his age not alone the imperfection of long-engrafted condition, but therewithal unruly waywardness that infirm and 263 267 268 270 280 283 284 285 286 choleric years bring with them. REGAN Such unconstant starts are.
... look to receive from his age not alone the imperfection of long-engrafted condition, but therewithal unruly waywardness that infirm and 263 267 268 270 280 283 284 285 286 choleric years bring with them. REGAN Such unconstant starts are.
Pàgina
... and must be used With checks as flatteries, when they are seen abused. Remember what I tell you. OSWALD Very well, madam. 4 9 10 13 20 GONERIL And let his knights have colder looks among you;. Enter Goneril and Gentleman [Oswald]
... and must be used With checks as flatteries, when they are seen abused. Remember what I tell you. OSWALD Very well, madam. 4 9 10 13 20 GONERIL And let his knights have colder looks among you;. Enter Goneril and Gentleman [Oswald]
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ALBANY answer appear Bastard bear bring brother Burgundy comes Cordelia CORNWALL course daughter dear death disguised dost draw duke EDGAR EDMUND Enter Exeunt Exit eyes father fear fire folio follow FOOL fortune France GENTLEMAN give GLOUCESTER Gloucester’s gods gone GONERIL grace hand hast hath head hear heart heavens hold honor horse I’ll keep KENT kind king knave lady late LEAR less letter live look lord madam master means nature never night noble nuncle OSWALD performances plain play poor pray quarto reason REGAN seek Servants Shakespeare sister sound speak speech stage stand stocks sword tell texts theater thee There’s thine thing thou thou art thought traitor true turn villain wind wits