King Lear: The 1608 Quarto and 1623 Folio TextsPenguin, 1 de febr. 2000 - 320 pàgines The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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Pàgina
... exits to and from the area, called “hell,” beneath the stage. Actors wore elementary makeup such as wigs, false beards, and face paint, and they employed pigs' bladders filled with animal blood to make wounds seem more real. They had ...
... exits to and from the area, called “hell,” beneath the stage. Actors wore elementary makeup such as wigs, false beards, and face paint, and they employed pigs' bladders filled with animal blood to make wounds seem more real. They had ...
Pàgina
... exit is clearly implied by the action, it has here been supplied without indicating an emendation. Similarly, obvious misprints have been silently corrected. For a full discussion of the quarto and its problems, see the Textual ...
... exit is clearly implied by the action, it has here been supplied without indicating an emendation. Similarly, obvious misprints have been silently corrected. For a full discussion of the quarto and its problems, see the Textual ...
Pàgina
... Exit. LEAR Meantime we will express our darker purposes. The map there. Know we have divided In three our kingdom, and 'tis our first intent To shake all cares and business of our state, Confirming them on younger years. The two great ...
... Exit. LEAR Meantime we will express our darker purposes. The map there. Know we have divided In three our kingdom, and 'tis our first intent To shake all cares and business of our state, Confirming them on younger years. The two great ...
Pàgina
... [Exit.] Enter [the King of] France and [the Duke of] Burgundy, with Gloucester. GLOUCESTER Here's France and Burgundy, my noble lord. LEAR My Lord of Burgundy, We first address towards you, who with a king Hath rivaled for our daughter ...
... [Exit.] Enter [the King of] France and [the Duke of] Burgundy, with Gloucester. GLOUCESTER Here's France and Burgundy, my noble lord. LEAR My Lord of Burgundy, We first address towards you, who with a king Hath rivaled for our daughter ...
Pàgina
... [Exit.] EDMUND This is the excellent foppery of the world, that when we are sick in fortune – often the surfeit of our own behavior – we make guilty of our disasters the sun, the moon, and the stars, as if we were villains by necessity ...
... [Exit.] EDMUND This is the excellent foppery of the world, that when we are sick in fortune – often the surfeit of our own behavior – we make guilty of our disasters the sun, the moon, and the stars, as if we were villains by necessity ...
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Frases i termes més freqüents
ALBANY answer appear Bastard bear bring brother Burgundy comes Cordelia CORNWALL course daughter dear death disguised dost draw duke EDGAR EDMUND Enter Exeunt Exit eyes father fear fire folio follow FOOL fortune France GENTLEMAN give GLOUCESTER Gloucester’s gods gone GONERIL grace hand hast hath head hear heart heavens hold honor horse I’ll keep KENT kind king knave lady late LEAR less letter live look lord madam master means nature never night noble nuncle OSWALD performances plain play poor pray quarto reason REGAN seek Servants Shakespeare sister sound speak speech stage stand stocks sword tell texts theater thee There’s thine thing thou thou art thought traitor true turn villain wind wits