Color Correction Look Book: Creative Grading Techniques for Film and VideoPeachpit Press, 12 de des. 2013 - 216 pàgines The digital colorist’s job is no longer to simply balance, fix, and optimize. Today’s filmmakers often want to recreate the idiosyncrasies of older recording methods, or are looking for something completely new, to differentiate the look of a given project. Furthermore, end-to-end digital shooting, postproduction, and distribution means that stylizations and effects once created by the film lab are no longer photochemically available. The color grading suite has become the lab, and these sorts of stylizations are now part of the colorist’s job description. In this follow-up volume to the bestseller Color Correction Handbook, Alexis Van Hurkman walks you through twenty-one categories of creative grading techniques, designed to give you an arsenal of stylizations you can pull out of your hat when the client asks for something special, unexpected, and unique. Each chapter presents an in-depth examination and step-by-step, cross-platform breakdown of stylistic techniques used in music videos, commercial spots, and cinema. These customizable techniques can be mixed and matched for your own unique effects and include: • bleach bypass looks • cross-processing simulation • day-for-night treatments • emulating film stocks • flat looks • glows, blooms, and gauze looks • grain, noise, and texture • greenscreen compositing workflows • lens flaring and veiling glare • light leaks and color bleeds • monitor and screen glow • monochrome looks • sharpening • tints and color washes • undertones • vibrance and targeted saturation • and many more!
|
Continguts
1 WORKING WITH LOOKS | 1 |
2 BLEACH BYPASS LOOKS | 15 |
3 BLUEGREEN SWAP | 21 |
4 BLURRED AND COLORED VIGNETTES | 23 |
5 CROSSPROCESSING SIMULATION | 25 |
6 DAYFORNIGHT TREATMENTS | 31 |
7 DUOTONES AND TRITONES | 49 |
8 EMULATING FILM STOCKS | 53 |
14 GREENSCREEN COMPOSITING GRADING WORKFLOWS | 109 |
15 LENS FLARING AND VEILING GLARE | 113 |
16 LIGHT LEAKS AND COLOR BLEEDS | 125 |
17 MONITOR AND SCREEN GLOW | 135 |
18 MONOCHROME LOOKS | 137 |
19 SHARPENING | 145 |
20 TINTS AND COLOR WASHES | 153 |
21 UNDERTONES | 165 |
Altres edicions - Mostra-ho tot
Color Correction Look Book: Creative Grading Techniques for Film and Video Alexis Van Hurkman Previsualització limitada - 2013 |
Frases i termes més freqüents
3D LUT adding adjustment Adobe SpeedGrade apply Assimilate Scratch Baselight black point bleach bypass blend blue channel blur boost camera cinema cinematographers client clip color balance control color channels Color Correction Handbook color matte color temperature colorist composite mode cool create cross-processing darken DaVinci Resolve day-for-night desaturate Diana camera digital intermediate duotone edge emulation LUT example film emulation film grain film stocks FilmLight filters frame rate Gain color balance Gain contrast control GenArts grading application green channel greenscreen highlights HSL Qualification image tonality isolate keep in mind Kodak lens flare Lift light leaks lighten lower luma curve match midtones Mixer monochrome node noise operation original image overlapping percent photographed plug-ins Redscale result saturation scene shape shape/Power Window sharpening shot simulate skin tone soft stylized superimposed technique telecine texture there’s tint undertones vignette visual Waveform Monitor Wratten you’re