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For this I prayed, would on thy sleep have crept,
Treason and Slavery, Rapine, Fear, and Lust,
And stifled thee, their minister. I know

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Too late, since thou and France are in the dust,
That Virtue owns a more eternal foe

Than Force or Fraud: old Custom, legal Crime,
And bloody Faith the foulest birth of Time.

LINES

[Published in Hunt's Literary Pocket-Book, 1823, where it is headed November, 1815. Reprinted in the Posthumous Poems, 1824. See Editor's Note.]

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NOTE ON THE EARLY POEMS, BY MRS. SHELLEY

THE remainder of Shelley's Poems | up the Thames in 1815. He had been will be arranged in the order in which advised by a physician to live as much they were written. Of course, mistakes as possible in the open air; and a will occur in placing some of the shorter fortnight of a bright warm July was ones; for, as I have said, many of these spent in tracing the Thames to its were thrown aside, and I never saw source. He never spent a season more them till I had the misery of looking tranquilly than the summer of 1815. over his writings after the hand that He had just recovered from a severe traced them was dust; and some were pulmonary attack; the weather was in the hands of others, and I never saw warm and pleasant. He lived near them till now. The subjects of the Windsor Forest; and his life was spent poems are often to me an unerring under its shades or on the water, mediguide; but on other occasions I can tating subjects for verse. Hitherto, he only guess, by finding them in the had chiefly aimed at extending his popages of the same manuscript book litical doctrines, and attempted so to that contains poems with the date of do by appeals in prose essays to the whose composition I am fully con- people, exhorting them to claim their versant. In the present arrangement rights; but he had now begun to feel all his poetical translations will be that the time for action was not ripe placed together at the end. in England, and that the pen was the only instrument wherewith to prepare the way for better things.

The loss of his early papers prevents my being able to give any of the poetry of his boyhood. Of the few I give as In the scanty journals kept during Early Poems, the greater part were those years I find a record of the books published with Alastor; some of them that Shelley read during several years. were written previously, some at the During the years of 1814 and 1815 the same period. The poem beginning list is extensive. It includes, in Greek, 'Oh, there are spirits in the air' was Homer, Hesiod, Theocritus, the hisaddressed in idea to Coleridge, whom tories of Thucydides and Herodotus, he never knew; and at whose character and Diogenes Laertius. In Latin, Pehe could only guess imperfectly, through tronius, Suetonius, some of the works his writings, and accounts he heard of of Cicero, a large proportion of those him from some who knew him well. of Seneca and Livy. In English, He regarded his change of opinions as Milton's poems, Wordsworth's Excurrather an act of will than conviction, sion, Southey's Madoc and Thalaba, and believed that in his inner heart Locke On the Human Understanding, he would be haunted by what Shelley Bacon's Novum Organum. In Italian, considered the better and holier aspi- Ariosto, Tasso, and Alfieri. In French, rations of his youth. The summer the Réveries d'un Solitaire of Rousevening that suggested to him the seau. To these may be added several poem written in the churchyard of modern books of travels. He read few Lechlade occurred during his voyage novels.

POEMS WRITTEN IN 1816

THE SUNSET

[Written at Bishopsgate, 1816 (spring). Published in full in the Posthumous Poems, 1824. Lines 9-20, and 28-42, appeared in Hunt's Literary Pocket-Book, 1823, under the titles, respectively, of Sunset. From an Unpublished Poem, and Grief. A Fragment.]

THERE late was One within whose subtle being,
As light and wind within some delicate cloud
That fades amid the blue noon's burning sky,
Genius and death contended. None may know
The sweetness of the joy which made his breath
Fail, like the trances of the summer air,
When, with the Lady of his love, who then
First knew the unreserve of mingled being,
He walked along the pathway of a field
Which to the east a hoar wood shadowed o'er,
But to the west was open to the sky.

There now the sun had sunk, but lines of gold
Hung on the ashen clouds, and on the points
Of the far level grass and nodding flowers
And the old dandelion's hoary beard,
And, mingled with the shades of twilight, lay
On the brown massy woods-and in the east
The broad and burning moon lingeringly rose
Between the black trunks of the crowded trees,
While the faint stars were gathering overhead.-
'Is it not strange, Isabel,' said the youth,

I never saw the sun? We will walk here
To-morrow; thou shalt look on it with me.'

That night the youth and lady mingled lay
In love and sleep-but when the morning came
The lady found her lover dead and cold.
Let none believe that God in mercy gave
That stroke. The lady died not, nor grew wild,
But year by year lived on-in truth I think
Her gentleness and patience and sad smiles,
And that she did not die, but lived to tend
Her aged father, were a kind of madness,
If madness 'tis to be unlike the world.
For but to see her were to read the tale

Woven by some subtlest bard, to make hard hearts
Dissolve away in wisdom-working grief;-
Her eyes were black and lustreless and wan:
Her eyelashes were worn away with tears,
Her lips and cheeks were like things dead-so pale;
22 sun? We will walk 1824; sunrise?
37 Her eyes... wan Hunt, 1823; omitted 1824, 1839.

4 death 1839; youth 1824. wake cj. Forman.

1824; torn 1839.

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20

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35

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38 worn

Her hands were thin, and through their wandering veins
And weak articulations might be seen

Day's ruddy light. The tomb of thy dead self
Which one vexed ghost inhabits, night and day,
Is all, lost child, that now remains of thee!

'Inheritor of more than earth can give,
Passionless calm and silence unreproved,
Whether the dead find, oh, not sleep! but rest,
And are the uncomplaining things they seem,
Or live, or drop in the deep sea of Love;
Oh, that like thine, mine epitaph were-Peace!'
This was the only moan she ever made.

HYMN TO INTELLECTUAL BEAUTY

45

50

[Composed, probably, in Switzerland, in the summer of 1816. Published in Hunt's Examiner, January 19, 1817, and with Rosalind and Helen, 1819.]

I

THE awful shadow of some unseen Power
Floats though unseen among us,-visiting

This various world with as inconstant wing

As summer winds that creep from flower to flower,-
Like moonbeams that behind some piny mountain shower,

It visits with inconstant glance

Each human heart and countenance;

Like hues and harmonies of evening,

Like clouds in starlight widely spread,-
Like memory of music fled,—

Like aught that for its grace may be
Dear, and yet dearer for its mystery.

II

Spirit of BEAUTY, that dost consecrate

With thine own hues all thou dost shine upon

Of human thought or form,-where art thou gone?

Why dost thou pass away and leave our state,
This dim vast vale of tears, vacant and desolate ?
Ask why the sunlight not for ever

Weaves rainbows o'er yon mountain-river,

Why aught should fail and fade that once is shown,
Why fear and dream and death and birth
Cast on the daylight of this earth
Such gloom,-why man has such a scope

For love and hate, despondency and hope?

III

No voice from some sublimer world hath ever
To sage or poet these responses given-

Therefore the names of Demon, Ghost, and Heaven,

2 among 1819; amongst 1817.

1819; care and pain Boscombe MS.

14 dost 1819; doth 1817.

5

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15

20

25

21 fear and dream

Remain the records of their vain endeavour,

Frail spells-whose uttered charm might not avail to sever,
From all we hear and all we see,

30

Doubt, chance, and mutability.

Thy light alone-like mist o'er mountains driven,

Or music by the night-wind sent

Through strings of some still instrument,
Or moonlight on a midnight stream,

Gives grace and truth to life's unquiet dream.

IV

Love, Hope, and Self-esteem, like clouds depart
And come, for some uncertain moments lent.
Man were immortal, and omnipotent,

Didst thou, unknown and awful as thou art,

Keep with thy glorious train firm state within his heart.

Thou messenger of sympathies,

That wax and wane in lovers' eyes

Thou that to human thought art nourishment,

Like darkness to a dying flame!

Depart not as thy shadow came,

Depart not-lest the grave should be,

Like life and fear, a dark reality.

V

While yet a boy I sought for ghosts, and sped

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Through many a listening chamber, cave and ruin,
And starlight wood, with fearful steps pursuing

50

Hopes of high talk with the departed dead.

I called on poisonous names with which our youth is fed;

I was not heard-I saw them not

When musing deeply on the lot

55

Of life, at that sweet time when winds are wooing
All vital things that wake to bring
News of birds and blossoming,-
Sudden, thy shadow fell on me;

I shrieked, and clasped my hands in ecstasy!

VI

I vowed that I would dedicate my powers

To thee and thine-have I not kept the vow?

With beating heart and streaming eyes, even now

I call the phantoms of a thousand hours

Each from his voiceless grave: they have in visioned bowers
Of studious zeal or love's delight

Outwatched with me the envious night

They know that never joy illumed my brow

Unlinked with hope that thou wouldst free
This world from its dark slavery,
That thou-O awful LOVELINESS,

Wouldst give whate'er these words cannot express.

37-48 omitted Boscombe MS.

44 art 1817; are 1819.

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