The English Prosody: With Rules Deduced from the Genius of Our Language, and the Examples of the PoetsCrocker, 1847 - 152 pàgines |
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Pàgina iv
... remark , not every one who engages in the study of these attains enough to be much benefited by it . But Prosody is a higher branch , and may not be studied so generally as those last mentioned . But to those who have a competent genius ...
... remark , not every one who engages in the study of these attains enough to be much benefited by it . But Prosody is a higher branch , and may not be studied so generally as those last mentioned . But to those who have a competent genius ...
Pàgina v
... remarks that these things may be distinctly understood , without which none of those branches of science can be taught or studied systematically , or with perspicuity and success . That our grammar needs systematizing is apparent ; and ...
... remarks that these things may be distinctly understood , without which none of those branches of science can be taught or studied systematically , or with perspicuity and success . That our grammar needs systematizing is apparent ; and ...
Pàgina vi
... work is free from defects . Of its merits or demerits the public may A. H. judge , and on this basis it may stand or fall . Carver , near Plymouth , March 4 , 1847 . CONTENTS . SECT . 1. Preliminary Remarks SECT . 2.- vi PREFACE .
... work is free from defects . Of its merits or demerits the public may A. H. judge , and on this basis it may stand or fall . Carver , near Plymouth , March 4 , 1847 . CONTENTS . SECT . 1. Preliminary Remarks SECT . 2.- vi PREFACE .
Pàgina vii
... Remarks SECT . 2.- Definitions .... Of Sounds .... CHAPTER I. Of Orthoepy , Accent , Cadence , Emphasis , and Tones Of Time and Quantity ..... SECT . 3. Of Pauses The Poetic Pauses Questions and Exercises . CHAPTER II . SECT . 1. Of ...
... Remarks SECT . 2.- Definitions .... Of Sounds .... CHAPTER I. Of Orthoepy , Accent , Cadence , Emphasis , and Tones Of Time and Quantity ..... SECT . 3. Of Pauses The Poetic Pauses Questions and Exercises . CHAPTER II . SECT . 1. Of ...
Pàgina viii
... Remarks . Questions and Exercises SECT . 1.- Of Definitions CHAPTER IV . SECT . 2 . Stanzas Iambic SECT . 3 . Stanzas not Iambic SECT . 4 . Of Odes . SECT . 5 . Pindaric Odes SECT . 6 . Remarks , & c . SECT . 7. Rules for Writing ...
... Remarks . Questions and Exercises SECT . 1.- Of Definitions CHAPTER IV . SECT . 2 . Stanzas Iambic SECT . 3 . Stanzas not Iambic SECT . 4 . Of Odes . SECT . 5 . Pindaric Odes SECT . 6 . Remarks , & c . SECT . 7. Rules for Writing ...
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Frases i termes més freqüents
accent and cadence adapted Amphibrachic Verse amphimac anapæstic verse antibacchy antient arranged bacchy bards blank verse cæsural pause called CHAPTER Cite examples comma marks common Composite Orders contains couplet dactyle descriptive different kinds emphasis English prosody foot foregoing genius Greeks harmony hence iambic verse iambus Irregular Orders kind of stanza kinds of feet kinds of verse language long and short lyre lyric manner melody moloss monosyllable movement muse nature necessary numbers o'er observed in reading Orthoepy pathetic pause the length pertaining to verse Pindaric poetic pauses poetical composition poetry poets principles proper properly pyrrhic Questions and Exercises reading verse regular correspondence Remarks rhyme rules and precepts Sapphic Sappho SECT sentiment short quantity short syllables sometimes song sounds and pauses species spondee stanza strophe style syntax pauses technical terms thee thou tion tones Tribrachs trochaic verse trochee verse is composed versification voice words written